Best Bitcrusher Pedals 2021

Dr. Scientist Bitquest Multi-Effect

The BitQuest is a simple multi-effect pedal with no menus or presets, yet it has enough control to be pretty powerful and offers 8 various bizarre and fascinating effects. This is a truly unique and experimental pedal with a wide range of sounds.

The BitQuest is a multi-effects pedal with 8 fun and adventurous patches and a built-in digital fuzz that may be used with or without the built-in digital fuzz. A full featured flanger, high pass and low pass filters, a bit crusher with sample rate reducer, infinite reverb, a deep notch filter, a ring modulator with reverb, a +/- 1 octave pitch shifter, and a wild glitch delay are among the patches available. The BitQuest, like all Dr. Scientist pedals, may be used with guitar, bass, synths, and a variety of other instruments. Dr. Scientist Bitquest is one of the Best Bitcrusher Pedals.

Malekko Scrutator Sample Rate and Bit Reducer Pedal

Malekko Scrutator Sample Rate and Bit Reducer Pedal
  • Rises from Malekko’s new and powerful DSP platform and is the first of many radical pedals to come.
  • External control over any combination of Rate, Bit, Filter, and Q controls (via expression pedal or control voltage)
  • Switchable 2 pole bandpass or lowpass filter.

Malekko crammed a lot of features and sound-shaping capabilities into a tiny package. Rate (sample rate decrease from 16 to 2 bit), filter, and Q are the three controls across the top (bandwidth and amplitude of the filter). Below that is a second row of three controls: preamp (gain), mix (dry/effect blend), and bit. Preamp (gain) contains an LED indication to show clipping (bit reduction, 48 kHz-300 Hz).

Malekko Heavy Industry, based in Portland, Oregon, is known for effects and synth modules that distort sound in both familiar and less subtle ways. The new DSP-driven Scrutator sample rate and bit reducer, on the other hand, offers a little bit of everything, with subtly strange and radical sounds, as well as relatively intuitive, synth-like interactivity and a surprising breadth of control in a compact stompbox.

Although the controls are close together, they are still quite simple to modify. They’re resistant to unintentional nudges into strange environments (though you might be into that if you’re reading this review). A 9V DC jack, input jack, and expression pedal/control voltage input are all located on the right side of the case. An output jack can be found on the left. All of this is contained within an MXR Phase 90-sized container. By holding the footswitch down while powering up, the filter can also be adjusted as a two-pole bandpass or lowpass. All of this adds up to a lot of flexibility and functionality in a small pedal—and Malekko’s design effort is laudable.

WMD Geiger Counter Digital Destruction Guitar Pedal

WMD Devices Geiger Counter Digital Destruction Guitar Pedal
  • High Gain Modern Preamp
  • Dramatic Tone Control with Disable
  • Super Hard Epoxy Powder Finish

In a 4.5″ x 3.5″ box, the Geiger Counter houses a high gain, contemporary preamp that drives an 8-bit computer. This robust metal enclosure, which is bright yellow in color and has a radioactive emblem warning of the extreme effects within, crams a plethora of controls into its small footprint.

The unit’s five knobs, three LEDs, Control Voltage (CV) input, two toggle switches, and HEX display should not deter those fresh to the field of more advanced signal processing. The operation is thoroughly detailed in the pleasantly brief manual.

WMD describes the rotary switch-selectable wave tables as a stage that “takes your signal and ruins it with math.” The Gain and Tone Knobs are self-explanatory; the Tone is disabled via the adjacent toggle. Despite the fact that this raises the gain, I found that some wave table settings sounded better with the tone active and some without. The Bit reduction control can be placed before or after the wave table by rotating the Wave Table rotary switch for drastically different results. Let me illustrate some of the wonderful effects I was able to conjure from this little box rather than going into a detailed breakdown of all the controls.

MOOER Lofi Machine

MOOER Acoustic Guitar Effect Pedal, 2.25 x 4.25 x 1.75 (Lofi Machine)
  • Wide range sampling rate/depth reducing effects
  • 3 modes for using guitar, bass, synth or sound player
  • Full metal shell

The Mooer LoFi Machine Sample Decreasing effects pedal has a wide range of sample rate/depth reducing effects that may sound like anything from a lovely 60s jangle tone to an 8 bit video game and everything in between. It has three settings for guitar, bass, and synthesizer, so no matter what instrument you plug in, you’ll get amazing sounds and effects. Its entire metal shell makes it sturdy and roadworthy, and it has real bypass, as do other superb effects pedals.

Are you disappointed that your band hasn’t been able to find a keyboardist with classic tonal sensibilities? Want to add some 1980s Atari or Nintendo bleep-bloop-bloop action to your tunes? In a space the size of a roll of quarters, the LoFi Machine puts both at your disposal.

The bit knob reduces sampling depth (5–16 bits) as you spin it, while the tiny mix and sample knobs manage dry/wet ratio and sample-rate reduction (60–31,250 Hz), respectively, and a 3-way toggle optimizes EQ response for synth, guitar, or bass. Because subtlety runs counter to the Machine’s nature, I favored maxing mix, while lowering sample all the way down let fundamentals break through without a lot of digital background noise. Set the bit knob between noon and 3 o’clock, then fingerpick moderately overdriven chords for Wurlitzer 200 or Rhodes electric-piano sounds. Or, with bit settings over 3, conjure sinister Metroid thoughts or playful Super Mario Bros. sounds.

Red Panda Bitmap Bit Map Bitcrusher

Red Panda Bitmap Bit Map Bitcrusher
  • Fractional bit reduction
  • Sample-rate modulation
  • Expression pedal input for sample rate (CV-compatible)

Red Panda has released version two of their Bitmap pedal for 2021. To make lo-fi sounds, the bitcrusher uses fractional bit reduction and sample rate modulation, and the upgraded edition adds several new capabilities.

Waveshaping, wavefolding, and a window comparator are included in the Bitmap 2 for extreme digital distortion, according to the firm. “With a maximum signal level of +8 dBu and enough gain to sound like an overdriven mixer channel, a drive control handles everything from single coil guitars to synthesizers. Dynamic, responsive distortion and digital artifacts are created by modulation and envelope control.

This new version is additionally tuned for more sustain on staccato notes without spitting. The less extreme settings, according to Red Panda, allow you to add layers that interact in subtle ways for warmth in 8 and 12-bit samplers.At line level, the Bitmap 2 works on guitar, bass, synthesizers, and anything else. Despite the fact that it’s only shown on guitar, you can get the complete scoop from Nick Reinhart.

Waveshaping, wavefolding, and a window comparator for extreme digital distortion are among the additional features in the updated edition, which includes an extra footswitch, a totally new knob/switch arrangement, and numerous new functions. Presets are now stored in the pedal (4 on the pedal, 127 via Midi).

However, the Sample-rate modulation with triangle, square, and random waveforms, as well as envelope control over the sampling rate or mix, create a unique effect that, when combined with an Expression pedal, adds nuance to a type of lo-fi effect that is all too often overly monochromatic.