Best Synths for Beginners 2022

If you’re new to synthesis, you’re probably starting to notice that not all beginner synths are made equal. Consider this article a primer on a few fundamental sorts of synthesizers, with recommendations for each—but, of course, you can continue your search from here and discover a vast array of instruments.

It’ll be much easier to make a final decision on synthesizers for beginners and establish what makes one synth different from the next once you’ve mastered some basic vocabulary and have a rough notion of what synth is best for you. So, with that in mind, let’s start simply and look at each of these categories to see which one is the greatest fit for you.

Korg minilogue XD 4-voice Analog Synthesizer

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Korg minilogue XD 4-voice Analog Synthesizer
  • 4-voice Analog/Digital Synthesizer with 2 VCOs per Voice
  • 16-step Polyphonic Sequencer
  • Digital Multi-engine

The Minilogue XD is close to being the best synthesizer for beginners available. Korg is a well-known name in the music world. A keyboard with 37 velocity-sensitive keys is included in the package. While their thin shape is appealing, playing with large hands may be difficult. Analog and digital sound generators are used in the product. It also has a four-voice polyphony and 500 presets, as well as a four-voice polyphony. There are four voice styles to choose from: unison, poly, chord, and ARP/latch. For each mode, the synthesizer lets you to alter different parameters.

It’s simple to utilize the 16-step polyphonic sequencer. The device allows you to customize sounds after producing any patch by using a motion sequence on four parameters. As a result, you’ll have a wide selection of sound options. The display will ensure that any parameter adjustments or feedback are provided, and the integrated joystick will allow you to change program parameters. With MIDI in and out, USB, and other connectors, the connectivity is extremely noteworthy. The synthesizer is 6.17 pounds in weight, but the components are of high quality.

Overall, the product has a low learning curve, particularly for inexperienced musicians. The good news is that you’ll have fun exploring a wide range of options and discovering new features on a daily basis. This is Best Synth for Beginners in 2022.

Moog Mother-32 Semi Modular Analog Synthesizer

Moog Mother-32 Semi Modular Analog Synthesizer
  • Semi-modular design requires no patching for swift, inspired music creation
  • Voltage controlled 32 step sequencer with 64 sequence locations
  • Low Pass & High Pass Moog Ladder Filter (20Hz-20kHz) with voltage controlled resonance

The Moog Mother-32 is a high-end synth that is ideal for beginners seeking for a flexible solution that will meet their demands as they learn to produce music. This synth may be too advanced for total novices. You should be able to enjoy production in no time if you know what you’re doing or read the thorough guidebook. The Mother-32 is a semi-modular synth that works well on its own or as part of a bigger modular synth. It has a built-in sequencer and speaker system, so it may be expanded with the appropriate modules. This is one of the Best Synths for Beginners in 2022.

teenage engineering OP-1 Portable Synthesizer

teenage engineering OP-1 Portable Synthesizer, Sampler, and Controller with Built-In FM Radio and...
  • CREATING MUSIC FOR 10 YEARS AND BEYOND - teenage engineering first unveiled OP-1 in 2010. Since day one, it has been the favorite portable synthesizer...
  • OFFERS MULTIPLE BUILT-IN SEQUENCERS - OP-1 features an onboard tombola sequencer for random trig and a sketch sequencer, which allows you to "draw"...
  • SAMPLES SOUNDS FROM DIFFERENT SOURCES - You can sample a sound using the onboard microphone. The built-in FM radio allows you to sample local radio...

The OP1 isn’t the best instrument for learning synthesis in many aspects. There are simply too many synth engines and not enough quick, tactile controls. But a machine for learning to compose and perform synth and sample-based music? It’s just fantastic.

The OP-1 is a synthesizer, sampler, 4-track recorder, and controller that can be carried about. In a nutshell, it’s a creative triumph. Thirteen synth engines, seven high-quality effects, and a slew of routable LFOs are all waiting for you to get creative. Put a ton of samples in there, sequence them all on the six – yes, six – sequencers, then record your masterpiece on the four-track virtual tape recorder. Overdub as much as you like.

Teenage Engineering has created a product that is enjoyable, intuitive, and non-technical to operate by restricting the OP-1’s major controls to just four brightly colored encoders. It’s the age-old guiding idea of keeping complexity to a minimum in order to maximize creativity. It looks like a toy, but it sounds like a professional recording studio that you can carry in your back pocket.

It’s inspiring, but it’s not inexpensive. Regrettably, the OP-1’s price has nearly doubled since its inception a decade ago, putting it out of reach for many. Teenage Engineering also produces the Pocket Operator series, which is based on a pocket calculator and sells for about the same price as a pocket calculator. They’re a bit limiting unless you’re just trying to dip your toe into the deep, warm waters of synthesis.

Novation Bass Station II Analog Mono-Synth

Novation Bass Station II Analog Mono-Synth
  • This analog Synth is a brand new version of the classic Novation bass Station with a brand new "acid" Filter joining the "classic" Original bass...
  • Ships with 64 factory Patches and a further 64 user slots
  • Pattern-based step sequencer and and two Oscillators plus an additional sub oscillator

The Bass Station II from Novation is a great example of a feature-rich analog monosynth. This synth was first released in 2013, so it doesn’t often get a lot of attention these days…but it’s still worth checking out. The Bass Station II can be compared to a modern-day Roland SH-101 or TB-303, and it’s ideal for strong leads and squelchy, acid basslines. It has two oscillators and one sub oscillator, two multi mode filters, and a lot of modulation, sequencing, and arpeggiation options…as well as some very nasty distortion and filter modulation. The Bass Station II, for example, offers a far more flexible synthesis architecture than the Minilogue, at the cost of not being polyphonic. So, if sonic versatility is more important to you than polyphony, this could be a good place to start.

Of course, Novation’s post-release firmware revisions have given this unassuming synth plenty of reasons to keep an eye on it. Paraphonic operation (meaning you can use it to perform chords or multiple melodic lines) and the mind-bending AFX mode (where you may assign a separate group of panel settings to each key on the keyboard) have also been added as a result of new firmware updates. This means that each note can have a completely distinct sound—for example, a percussive kick or snare sound, a squelchy bass sound, or an absurd sound effect—and you can swap sounds quickly in performance using either the keyboard or the sequencer. This results in sequences that rapidly switch from one sound to the next, allowing entire tracks of spastic program changes to be created. This mode, created in partnership with Aphex Twin, is wholly unique to the Bass Station and provides it a distinct advantage.

Arturia MiniBrute 2 Semi-Modular Analog Synthesizer

Arturia MiniBrute 2 Semi-Modular Analog Synthesizer
  • 25-key Semi-modular Monophonic Analog Synthesizer
  • 48-point CV Mod Matrix
  • Sync Connectivity

We believe that the Minibrute 2 qualifies based on its price. There has to be a caveat if you look at the features and sophistication of the top panel, especially that 48 CV patchbay. The Minibrute 2 is a fantastic synth for individuals who want to get their feet wet in the field of modular synthesis. If you’ve mastered the fundamentals but find modular to be a fascinating enigma, the MiniBrute 2 could be your first-class ticket to a new musical realm worth exploring.

This is a unique synthesizer. Forget about the patchbay for a moment, the top panel appears unassuming at first glance. Two oscillators, a mixer, a filter, an amplifier, and envelopes are among the sections. However, it quickly becomes intriguing because the waveforms of the primary oscillator can be output concurrently and combined via the mixer. There’s also a modifier control for more intricate tweaking of the wave types, as well as the mayhem-inducing ‘Brute Factor’ drive knob, and so on.

Arturia’s goal with the Minibrute 2 appears to be to expand musicians’ sonic options, ‘to sweep aside norms and expectations in terms of what a synth should be.’ Nobody can accuse them of going about this half-heartedly. Returning to the patchbay, you may start re-routing this small synth’s default signal flow for practically limitless sound design possibilities using skill, judgment, and expertise, or simply good old-fashioned potluck. You can link it to other modular devices and continue to tinker, dabble, and fine-tune it once you’ve exhausted these possibilities.

It was always Arturia’s desire for the Minibrute 2 to serve as the creative glue that connected the classical synth world and the modular scene. This weird little synth is seen as the catalyst that lies at the very center of your modular system.

Korg Volca Keys

Korg, 27-Key Sound Module (VOLCAKEYS)
  • Three note true analogue synthesis with one knob per function for easy hands-on tweaking
  • 16-step sequencer with Flux mode for non-quantized free flowing loops
  • Sync In and Out allows clock sync of multiple instruments from the volca Series

Korg’s Volca series has been around for almost a decade, and in that time it has introduced thousands of people to the joys of unrestricted knob twiddling. A Volca should be at the top of your novice synthesizer purchase list whether you’re looking for battery-operated joy in the quiet of your own home or in public with other like-minded folks.

It’s a series as well as an ecology. Volca Keys, Volca FM, Volca Bass, Volca Beats, Volca Kick, Volca Modular, Volca Nubass, Volca Sample, Volca Mix, Volca Modular, Volca Nubass, Volca Sample, Volca Mix, Volca Modular, Volca Nubass, Volca Sample, Volca Mix, Volca Sample, Volca Mix, Volca Sample, Volca Mix, Volca Sample, Volca Mix, Volca Sample, Volca Mix, Volca The Volca Keys are our focus here, but all are worthy of your attention.

With 27 ribbon keys and a loop sequencer, the Volca Keys is a compact polyphonic analog synth. It’s neither the most feature-rich synth out there, nor is it the most comprehensive sound design tool accessible today, which is unsurprising. Instead, it’s a fun and economical method to get started with synthesis. We’d certainly dismiss the Volca keys as a toy if it were a one-trick preset box, but it follows typical subtractive synthesis tradition and allows for plenty of hands-on control.

Getting to grips with the fundamentals is a piece of cake. Toggle the huge voicing dial between Poly, Unison, Fifth, Unison Ring, and Poly Ring to combine the Volca’s three oscillators. This determines whether they are played in unison, de-tuned by a specific interval, or have ring modulation applied, among other things. It’s a clever approach to limit your alternatives without stifling your imagination.

The smaller VCO (oscillator), VCF (filter), LFO, and EG (amp envelope) knobs can then be used to fine-tune other parameters. To finish your sound design recipe, add a sprinkle of delay to taste. That’s all there is to it.

The sequencer can only record sixteen steps, which doesn’t seem like much until you start using the overdub and active step functions. Overdub does just what it says, while active step allows you to skip steps during playback for unexpected rhythmic changes, allowing you to make your performance more dynamic and less stale.

The Volca Keys also sounds fantastic, much more so than its small size and low price would suggest. Will you become tired of it soon? It has constraints on its own, thus the answer should be yes. But combine it with a handful of its Volca family siblings – Vocal Beats and Volca Bass, for example – and you’ve got a music-making system that’ll keep you happy for years.

Teenage Engineering Pocket Operator PO-20 Arcade Synthesizer and Sequencer

teenage engineering Pocket Operator PO-20 Arcade Synthesizer and Sequencer
  • PRODUCES RETRO AND MODERN SYNTHS - The teenage engineering PO-20 Arcade offers 16 synthesized 8bit video game-style tones like chiptune-style sounds.
  • ALLOWS YOU TO CREATE A WHOLE SONG - The 16-step sequencer enables you to create sophisticated arrangements and make an entire song with the help of...
  • DELIVERS HIGH-QUALITY SOUNDS - The Pocket Operator Arcade uses Silicon Labs EFM32 Gecko MCU and Cirrus Logic DAC chip to produce excellent sound...

Teenage Engineering built a one-of-a-kind and original product, and we’re not going to sugarcoat it. It is important to note that this is not intended for those who are serious about music production. Instead, it’s a pleasant device for novices and people who wish to be introduced to the world of synthesizer playing.

The arcade synth has a keyboard with 16 sounds that generate different chords and notes. Many sounds from a vintage arcade are replicated by the device. It does, however, include a 16-step sequencer, which allows you a lot of creative freedom. This unit can even be used to compose the full song. The sounds can be played through the inbuilt speaker, and the quality is excellent for the price. This is especially true given that this is primarily a toy for creative and bright youngsters and teenagers.

The device is powered by two batteries and has a lengthy battery life. It can be used on its own, but it can also be connected to speakers. The product is similarly simple to connect to your PC or other devices, although there is no MIDI. The company refers to the product as a pocket synth, which makes sense. The item is small enough to put in your pocket and carry around, making it ideal for on-the-go use. Although the instructions are a little confusing, the process of learning how to use the unit should be enjoyable.

Korg Volca FM

Korg Digital FM Synthesizer (VOLCAFM)
  • 3-voice polyphonic FM synthesizer, fully compatible with classic unit
  • Super-easy sound editing
  • Onboard CHORUS effect

The Korg Volca FM synthesizer module is a portable replica of Korg’s iconic DX7 FM synthesizer, and it can even accept DX7 patch data! And the sound engine is exactly what you’d expect from a classic FM synth: six operators ready to generate clanging metallic tones, ripping leads, subsonic basses, and a variety of unique effects.

For extra musical animation, use the built-in 16-step sequencer with Motion Sequence to capture knob twists as well as note data. Twist your patterns using Warp Active Step, Pattern Chain, or the Arpeggiator, and add sheen to your sounds with the sumptuous onboard chorus effect. The Korg Volca FM has a lot of sound potential, whether you’re performing live or producing electronic music in your studio.

The Yamaha DX7 is a well-known FM synthesizer among electronic musicians, and it’s known for being as difficult to program as it is for its iconic sound. The Korg Volca FM has the same six-operator sound engine as the Korg Volca, and its simplified control set makes it much easier to create your own sounds from scratch. You may dial in traditional FM synth sounds and save 32 of your favorites for fast recall, ranging from percussion and effects to Reese bass and more. In addition, Korg contains a parameter list guide that you can use as you get to know your way around.

Arturia MicroBrute Analog Synthesizer

Arturia MicroBrute Analog Synthesizer
  • 100% Analog Audio Signal Path
  • Steiner-Parker Multimode Filter (LP, BP, HP)
  • Voltage Controlled Oscillator with new Overtone Sub-Osc, Oscillator Mixer (Sub, Sawtooth, Square, Triangle)

The Arturia MicroBrute’s name includes the term “micro” for a purpose. This beginner’s keyboard synthesizer has a small footprint and is very light. That way, you’ll be able to roam about and practice wherever you are.

The synthesizer is monophonic, with 25 keys on the keyboard. An inbuilt oscillator and a step sequencer are also key components. The sequencer is an excellent addition, especially because it is simple and enjoyable to use. However, the oscillator lacks a Sine Wave function and white noise, which you may perceive as minor drawbacks as you get more familiarity with the instrument. When you start playing with this synth, you’ll notice that it has a great sound quality. It has a lot of power and a lot of harmonic possibilities.

With this product, there won’t be any learning curve. The panel is simple to understand, there are no difficult controls, and the user handbook thoroughly explains everything. When you look at the quality of the components, you’ll see that the item is fairly long-lasting. The product provides outstanding value for money, with the main drawback being the base plate. It appears to be of lower quality than other pieces, and it may rust if not properly maintained.

Frequently Asked Questions

What to look for in the best beginner synthesizer?

Let’s start with some fundamental assumptions. First and foremost, you should not spend more than $1,500/£1,500/€1,500, preferably much less. You want to study synthesis – the art of shaping sound – but you want it to be as quick, gratifying, and painless as possible.

You could be in a band that performs regularly, or you could just desire a synth for your home studio. Finally, you want your relationship with it to linger long after you’ve lost your synth virginity — it’s unlikely that you’ll stay faithful to your first synthetic love, but it should continue to fascinate you for years to come.

Synthesis can be relatively simple, but it can also quickly become very sophisticated. Subtractive, additive, wavetable, and FM synthesis are just a few of the many forms of synthesis available. Some synths, like as the Korg opsix, are classified as FM synths, while others, such as the Roland SE-02, are classified as subtractive synths.

In the end, the decision is yours, although we strongly advise you to begin your learning journey with a subtractive synth. The procedure is pretty intuitive, and understanding the fundamentals will help you when you go on to the other varieties. FM is the most difficult to master, although it produces some stunning bell-like and metallic tones.

Why not just use VST/AU?

Why spend so much money on a piece of hardware when a software plugin would be far more useful? When musicians began composing music on computers, hardware synths quickly fell out of favor, only to resurface a few years later. Despite the superb quality and clear advantages of softsynths, hardware has never been more popular.

Why? Playing a hardware synth is a hands-on experience that requires you to get your hands dirty with the knobs and dials. They’re simply more enjoyable!