The best dynamic microphones are durable, have a narrow frequency response, and are often affordable. Condenser mics, on the other hand, are delicate, very responsive, and frequently prohibitively expensive. It is not our purpose for this to make the dynamic mic appear inferior. When a sound source is excessively loud, has undesired background noise, or originates in physically demanding environments, such as on a stage at an outdoor festival, a dynamic microphone is an unbeatable choice.
Dynamic microphones are also less transparent than condensers, which may appear to be a disadvantage but is actually a feature that may be used creatively. Dynamic microphones are ideal for recording vocals in a variety of situations, including podcasting, voiceovers, and singing, and they’re especially useful for recording numerous persons in the same room.
Table of Contents
Electro-Voice RE20 Broadcast Announcer Microphone with Variable-D
- Professional quality dynamic cardioid microphone with studio condenser-like performance
- The classic sound of FM radio voices with smooth, natural, and controlled sonic character
- The Variable-D design and heavy-duty internal pop filter excel for close-in voice work, while an internal element shock-mount reduces...
Close-micping is popular among broadcasters because the consequent proximity effect lends their voice a warm richness. But there’s a snag. Many broadcasters fidget, swivel their heads, walk about, and generally forget that their lips should be as close to the microphone as feasible. This mucking around dramatically alters the tone of their presentation. One moment it’s thick and rich, the next it’s thin and whining.
The RE20 is a fantastic pro-level dynamic mic with a Variable-D trick up its sleeve. A perforated pipe on the back side of the RE20’s diaphragm offers a consistent frequency response whether the source is on-axis or up to 180 degrees off-axis. This allows a vocalist to move around freely, whether intentionally or unintentionally, without affecting their sound. Variable-D microphones also have a tight low-end, making them ideal for catching kick drums, guitar cabs, and other low-frequency instruments price points.
The RE20 is a steel-cased cardioid pattern microphone (meaning you sing or speak into it from one area of the microphone), and it connects to sound systems and audio interfaces using a normal XLR wire. This gadget can run on its own without the use of phantom power.
The microphone is designed primarily for singing, though it may certainly be used for drumming as well. It features a more vocal-specific frequency response range, starting at 45 Hz and finishing at 18 kHz. Because there is no colouring or exaggerated frequencies in the microphone, you should obtain an absolutely accurate sound when recording or performing. This top-rated dynamic microphone produces a clean, crisp tone without sounding overly high-pitched.
The RE20 includes a built-in shock mount to absorb any shock from bumps or hard handling, as well as a built-in pop filter to catch plosives, so you won’t need one if you’re using it in the studio. Electro-Variable-D Voice’s technology is also used to lessen proximity impact.
Shure SM57-LCE Cardioid Dynamic Instrument Microphone with Pneumatic Shock Mount, A25D Mic Cli
- EXEPTIONAL VOCAL PERFORMANCE - The SM57-LC delivers high-quality vocal reproduction, thanks to its tailored frequency response and brightened midrange...
- INDUSTRY STANDARD - The first choice for performers around the globe, the SM57 Dynamic Vocal Microphone is ready to bring any performance to life....
- CLARITY & CARE - The uniform cardioid polar pattern reproduces every note as it was intended, delivering warm, crisp sound time after time.
For a generation, the Shure SM57 has been the go-to mic for professionals, amateurs, and hobbyists alike. Even today, it provides the ideal combination of dependability, ruggedness, and clear, consistent sound across a wide range of applications. There are few microphones that can compete with the Shure SM57 when it comes to recording guitars. We’re willing to wager that if you walked into any professional studio in the world, you’d discover at least one of them. But what is it about this old warhorse that keeps folks coming back? Well, it appears that the old adage “keep it simple, dumb” applies here. In essence, the SM57 achieves the ideal blend of rock-solid build quality, consistent records, and utter dependability.
The Shure SM57 is a dynamic cardioid pattern mic with an all-metal housing, flat grille, and broad frequency range at its most basic level. It’s likely one of the most flexible dynamic microphones on the market, thanks to its ability to record extremely loud sources with ease. It’s also known for its sturdy construction; there are plenty of videos on YouTube of individuals actively attempting to destroy SM57s by driving over them or dropping them from tremendous heights. Few succeed simply because there aren’t many moving parts inside, therefore there’s not much that can go wrong. However, it excels at some things better than others, thus it isn’t the best option for every application at this price range.
Shure SM58LC Cardioid Dynamic Microphone
- EXEPTIONAL VOCAL PERFORMANCE - The SM58-LC delivers high-quality vocal reproduction, thanks to its tailored frequency response and brightened midrange...
- INDUSTRY STANDARD - The first choice for performers around the globe, the SM58 Dynamic Vocal Microphone is ready to bring any performance to life....
- CLARITY & CARE - The uniform cardioid polar pattern reproduces every note as it was intended, delivering warm, crisp sound time after time.
For many vocalists and entertainers, the Shure SM58 is still the first name on the team sheet after six decades. It’s built like a warship, sounds fantastic, and can be relied upon to give performance after show.
Few voice microphones have had as successful a career as the Shure SM58. Fewer still have gained such a reputation for dependability and consistency. Simply said, the Shure SM58 has had the market cornered for vocal applications since 1966, whether it’s talking, singing, beatboxing, or anything else involving air being ejected from a mouth. The venerable old mic is used by some of music’s biggest stars, from Paul McCartney to Henry Rollins, and its place as a cornerstone of the touring band’s setup is unquestionable. But what is it about the SM58 that makes it so popular?
The Shure SM58 is essentially a simple dynamic microphone that shares many of the same qualities as its younger sibling, the Shure SM57. The SM58, on the other hand, is a pure voice mic, whilst the ’57 excels at capturing instruments due to its flatter grille and smaller footprint. This microphone is meant to take your voice and make it sing, from the ball-shaped grille that gives a bit of distance between the sound source and the capsule to the ergonomic design aimed toward hand-held performance. You can choose to talk or not. It also has an internal pop filter to reduce the bad effects of plosives and pops, and it’s strong enough to withstand being tossed about in hot, humid clubs all night without dying. This is the Best Dynamic Microphone in 2023.
Telefunken M80 Dynamic Microphone
- Consumer Alert: Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a...
The M80 is an intriguing microphone for a number of reasons, not least because it comes in a variety of colors, including fluro pink, yellow, orange, and gold – a total of 15 colors. You may also mix and match the body and grille colors to perfectly match the M80 to every outfit in your stage wardrobe. That’s a show we’d be willing to pay to see!
What does it sound like, though? Telefunken worked hard to create a microphone that combines the durability of a dynamic with the acoustic attributes of a condenser. The M80 has a wide frequency response with a hint of high-end presence thanks to its lightweight capsule and thin diaphragm.
The result is a character who is open and airy while also being authoritative. It’s a good choice for lead vocals and snare drums. Despite the presence of the high-end, transients are effectively controlled, and handling noise is kept to a minimum. The build quality is excellent. The M80 isn’t particularly weighty, but it’s reassuringly substantial, weighing in at 430g, roughly a third more than a Shure SM57. In black and chrome, its lines are smooth and sleek, and it has a sophisticated appearance.
It has a low-mass capsule and a very thin membrane, which helps it capture all of the subtleties in your voice or instrument. It also includes a custom wound transformer that matches the impedance of any audio interface or sound board, guaranteeing that your vocals sound the same everywhere. The M80 is a supercardioid dynamic microphone that picks up sound in a very directional manner and does not require phantom power to operate. It’s one of the greatest dynamic microphones for voices because it’s designed for touring, but it’s also suitable for a variety of instruments.
The M80 was designed to be a better alternative to the various dynamic microphones with a heavy midrange frequency content. This mic has a frequency response of 50 Hz to 18 kHz. Because of its frequency response, the M80 performs similarly to a condenser microphone and is capable of delivering an authentic amount of emotion with its tone. This is the Best Dynamic Microphones in 2023.
Sennheiser MD 421 II Cardioid Dynamic Mic
- Rugged professional microphone with clear sound reproduction, excellent for most recording conditions and broadcast applications
- Large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums
- Five-position bass roll-off switch make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers
The MD 421-II is a Sennheiser classic that began as a broadcast microphone but has now evolved into a studio and stage favorite for close-miking snares, bass drums, and toms. It’s so popular, in fact, that you’ll often see it in front of guitar cabs, bass cabs, and even podcasters.
Its five-position bass roll-off switch, which invites sonic experimenting, is key to its adaptability. There are two basic voicings – ‘M’ for music and ‘S’ for speech – with three additional increments in between. This is a sturdy, well-built, professional piece of gear, as you’d expect from Sennheiser. Its precise cardioid pattern effectively rejects feedback and sounds from outside the source. Noise is also successfully suppressed while dealing with it.
Rode PodMic Cardioid Dynamic Broadcast Microphone
- A broadcast-quality dynamic microphone a rich, balanced sound optimized for podcasting
- Features an internal pop filter to minimize plosives
- An internal shock mounting to reduce vibration
Long before the worldwide Covid lockdowns caused the genre to soar, podcasting was incredibly well-liked. The industry is so large that many microphone manufacturers now make podcasting-specific desktop mics appropriate for amateur use, such as the more current Shure MV7 and the well-known Blue Yeti.
Most YouTubers and podcasters want to produce a high-quality broadcast with the least amount of setup and hassle. The PodMic is outstanding in this regard as a usb microphone. Its shape is enough hefty to offer you something to speak into while being modest enough to not annoy visitors or spectators. Also, it is discrete, so you may scatter a couple of them around a table without them obstructing the view.
Podcasters may record or transmit a ready-made sound that is well isolated and free of background noise thanks to the built-in pop shield and tight cardioid pattern. As expected, the mic doesn’t sound unduly bright in the higher frequencies, and midrange articulation is good. You must approach close if you want a deep, rich voice because the proximity effect isn’t very strong. There is nothing stopping you from using this microphone to record drums or guitar cabs, even though it was designed to bring out the best in human voice. The PodMic, according to Rode, may be used with any audio interface but is optimized for use with their Rodecaster Pro Podcast Production Studio.
Shure SM7B Vocal Dynamic Microphone
- ONE MICROPHONE FOR EVERYTHING - Studio Recording, Home Recording, Podcasting & Streaming. The SM7B Is Trusted By The Worlds Leading Vocalists,...
- STUDIO VOCAL RECORDING - The SM7B’s Dynamic Cartridge With Smooth, Flat, Wide-range Frequency Response Produces Exceptionally Clean & Natural...
- PODCAST & BROADCAST - Found In The Top Podcasting Studios Around The World, The SM7B Air Suspension Shock Isolation & Pop Filter Eliminate Both...
A close-proximity studio microphone from Shure, the SM7B produces a warm, midrange-rich sound. Although it isn’t the most affordable dynamic microphone on this list, it can compete in the studio with condenser mics that cost more than ten times as much.
The SM7B has a very flat frequency response on basic settings from roughly 100Hz to 12kHz, building up gradually from the bass end but sharply dropping off from the high end. When attempting to get the finest performance out of your vocalist or instrument, having these convenient alternatives is helpful. Just flick a few switches on the back of the mic to suddenly hear much more bass roll-off or a presence boost.
To reduce hum from neighboring computer equipment, the SM7B’s design includes an electromagnetic shield, pop filter, and inbuilt shock mount. It is also well-known for producing excellent sound in untreated environments by extremely successfully eliminating noise and reflections. These characteristics have given it a new lease on life as the preferred mic among podcasters and YouTubers in recent years.
Things to Consider When Buying a Dynamic Mic (Buying Guide)
Cardioid Polar Pattern
Polar patterns explain how a microphone rejects or picks up sound.
The Cardioid polar pattern is the most common for dynamic microphones because it accepts sounds that are immediately in front of the capsule while rejecting sounds that are coming from the back and sides (monitors, stage noise, instruments, etc.).
The super cardioid and hyper cardioid are two more versions of the cardioid polar pattern, both of which have a more front-focused pattern for even better noise rejection at the expense of limited positioning.
Consider frequency response as a microphone’s in-built, fixed, non-adjustable EQ.Ideally, we want it to be as transparent and flat as possible, but due to the numerous hardware elements that microphones have, this is seldom the case.
By matching microphones with the appropriate vocal or instrument tone, engineers and musicians can take advantage of these variations in frequency response.
For instance, you shouldn’t use a high-pitched voice with a microphone that favors the highs; instead, choose one with a little more bottom end to balance out the sound source. If you are unsure, it is recommended to start by observing the microphones that your favorite musicians and vocalists use.
The majority of dynamic microphones have the recognizable handheld design and are designed for speaking voices and singers.
However with the proper setup, dynamic microphones can be utilized to capture almost any sound source because their capsules can withstand high SPL.
For noisy instruments like guitar speaker cabinets, drums, and other percussion instruments, dynamic mics are frequently employed.
Although there are more specialist microphones that can perform better, it is comforting to know that dynamic microphones can be adaptable when necessary, even if there is a slight loss in sound quality.
The rise in low frequencies that occurs when you approach a microphone is known as the proximity effect. Although an increase in frequencies isn’t what we want in an ideal world, some people have found creative ways to harness the proximity effect, most notably rock singers and rappers who wish to give their voices more low-end punch.
Some microphones today are made with less of it, while others are praised for their close-up impact. In order for consumers to know what to expect, several manufacturers have responded by clearly supplying tone variation lines in their frequency charts when close to the mic.
Max SPL (Sound Pressure Level)
The maximum level that a microphone can handle in dB (Decibels) without creating distortion is indicated by this specification. It can also get confusing because volume fluctuates depending on frequency (for instance, it is louder at lower frequencies or vice versa).
However, you don’t need to worry too much about this since dynamic microphones are only constrained by the mechanical movement of the diaphragm and have no internal circuitry to overload. This enables them to endure extremely loud levels—150 dB to 180 dB—that you would not often experience.
If you do experience distortion, the issue may be caused by the microphone clipping the preamp into which you are connected. The simple fix is to increase the preamp’s levels, purchase a better mic preamp, or relocate in order to reduce the volume levels.
Frequently Asked Questions
What is a dynamic microphone?
A dynamic microphone uses electromagnetism to transform sound waves into audio (and thus an electric signal). Moving coil and ribbon dynamic microphones are the two primary varieties.
The most common and widely utilized class of dynamic microphones are those with moving coils. A coil that is coupled to a membrane makes up a moving coil mic. The membrane and coil are encircled by a magnet. As a sound wave strikes this type of microphone, the membrane (and consequently the coil) begin to move, causing voltage on the coil, which then transforms the sound into audio.
Moving coil microphones are often highly reliable and strong, and they operate without the use of a power source.
Electromagnetism is also used by ribbon mics to turn sound into audio. Nevertheless, ribbon microphones differ from moving coil mics since they don’t have the membrane and coil assembly. Instead, they have a piece of aluminum foil.
Ribbon microphones are considered to provide higher-fidelity audio because they can more accurately reproduce the sound waves because the aluminum foil is relative lighter and more delicate than the membrane and coil combo.
Ribbon microphones, however, also have a lesser output. This is due to the fact that the aluminum foil serves as the sole conductor instead of the entire coil. Ribbon microphones have a step-up transformer inside them to make up for the loss. This magnifies or multiplies the output. In contrast, ribbon mics are significantly more sensitive and need to be handled with care.
What’s the difference between dynamic and condenser mics?
Although dynamic and condenser microphones serve the same purpose, their operational principles and ideal uses differ noticeably. Sound is converted differently by dynamic and condenser microphones
Dynamic microphones use electromagnetism to translate sound into audio, as we saw earlier. While a “capacitor” is how condenser microphones operate. A voltage is passed through two closely spaced metal plates (a diaphragm and a backplate) that make up a capacitor. The diaphragm of the mic moves back and forth when a sound wave strikes it. The voltage changes as a result, and this is how the microphone converts the sound into audio.
Loud and live settings benefit more from dynamic microphones. Dynamic microphones are ideal for live performances, especially when you wish to record powerful sound sources like drums.
Sensitiver microphones are condenser ones. Condenser microphones, on the other hand, are more sensitive and can pick up on subtle and minute noises. Condenser microphones are frequently utilized for vocal work and are typically found in studio settings with soundproofing.
Keep in mind that certain content producers may find condenser mics to be too sensitive. Audio recordings can be susceptible to distortion, an accelerated rate of popping, and other issues due to their high sensitivity.
Condenser microphones require phantom power. Condenser microphones require an external power source to function, whereas dynamic microphones don’t.
What are dynamic microphones best for?
Before delving too further into the details, it’s important to remember that you should stick with a microphone if you find one that suits your needs. Yet, it is important to do your homework and understand the differences between dynamic and condenser microphones. Finally, if you find a microphone that you like, stick with it. Regardless of their internal mechanics, both condenser and dynamic mics can create audio of a high caliber.
Dynamic microphones are typically the best choice for loud settings and live performances. But don’t be fooled; they’re also a fantastic choice for vocal recordings in a professional or home studio.