Boss DM-2W Delay Waza Craft Guitar Effects Pedal
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The Boss DM-2W is a re-creation of a well-known delay pedal that became commercially viable thanks to the improved availability of a certain chip. On top of the original Boss DM-2 platform, the expression input and custom / standard selection switch add further options. The expression input allows you to connect an expression pedal and alter the timing of the effect while playing, allowing you to adjust the delay time while playing.
The DM-2 was the gold standard for bucket-brigade delay (BBD) until it was discontinued in 1984, and this upgraded Waza Craft rendition faithfully recreates the vintage tone. There’s a straight out, as well as the option to convert from’standard’ mode, which is the stock reissue, to ‘custom’ mode, which increases the delay times to 800ms.
Another helpful addition is the ability to change the rate using an expression input, so if you’re looking for an old-school digital delay reissue that can do everything from simple slapbacks to OTT auto-oscillations, this could be it.
For those with darker (more bass and mids) voiced gear, the Custom / Standard switch is handy. The pedal works in normal mode like its predecessor, with a dark voice and a delay period of up to 300 milliseconds. The unit’s repeats have a louder (but still clearly analogue) tone in custom mode, and the maximum delay time is increased to 800 milliseconds.
Boss DM-2W Delay Waza Craft Guitar Effects Pedal is one of the Best Delay Pedals.
MXR Carbon Copy Analog Delay Guitar Effects Pedal (M169)
- Rich, all-analog delay
- Up to 600 milliseconds of delay time
- Modulation controls emulate tape echo tones
MXR is a brand that sits between between mass-market and boutique. The MXR M169 has the organic and meaty tone of well-known analogue delays without the fragility. MXR Engineer Bob Cedro and Way Huge Pedals’ creator, Jeorge Tripps, collaborated on the design.
While not as fast as digital delays, the delay times can produce everything from country slapbacks to Gilmour-esque aural landscapes. Surprisingly, the MXR M169 also has a modulation effect that can be used to improve the unit’s repeats. Two inner trim pots can be used to alter the modulation effect. The effect is slight, but it helps to give your tone a deeper dimension.
The tone of the Carbon Copy is midway between antique analogue delays and more recent digital settings, despite the fact that it is an analogue delay. This improves the clarity of the unit, preventing the modulation setting from washing out your tone. The unit, however, lacks the gloomy tone that many antique delays have.
TC Electronics Flashback 2 Delay Effects Pedal
- Flashback 2 delay effects pedal.
- The tc electronic flashback 2 delay packs the company's entire delay legacy into a single compact and affordable stomp box that's designed for now –...
- TC Electronic groundbreaking MASH technology adds an expression pedal to a world-class delay stompbox that responds to your touch and saves precious...
The TC Flashback has been one of the most popular delays of the last decade, which is why there are so many distinct models to choose from, from the Mini to the Triple and the X4. This updated version of the original small pedal features the same user-friendly design as the original, as well as some incredibly lush-sounding delays.
The TC Flashback 2 is a remarkable piece of equipment for the money, with a great choice of presets that cover all the basics – analogue delay, tape echo, a pristine digital mode, and some more sound effect-type delays.
In addition to the standard features, it includes user presets that can be assigned using TC’s Toneprint software, as well as a hardware expression pedal. However, in fact, the expression, or mash functionality, can be a little tough to employ.
It’s also USB-upgradable and allows users to send TonePrints from their phones, which is exactly the kind of forward-thinking that has helped the Danish company become one of the industry’s giants. The sounds are robust, with a wide range of user-adjustable choices, and the delays themselves never go brittle, maintaining a warm, organic tone no matter what patch you’re using.
Strymon TimeLine Multidimensional Delay Pedal
- - Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences
- - True Bypass (electromechanical relay switching)
- - Selectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per preset
Because of its nearly unlimited capabilities and outstanding tone shaping possibilities, the Strymon Timeline Delay Pedal has quickly become an industry standard delay pedal. The Strymon Timeline packs 12 delay models into one professional-grade stompbox and allows for deep editing of delays via the 7 front panel controls, which include the ability to change parameters like Fast Rotor Speed, Preamp Drive, Mic Distance, Horn Level, and much more.
Don’t be afraid of this pedal; it’s really simple to operate and comes with a variety of pre-programmed delay effects, including bucket brigade delays, swells, reverse, pattern, and more. You’ll find it to be one of, if not THE most controllable and editable delay pedals available today. This is a wonderful option if you want a full studio’s worth of delay effects and the ability to handle them like an engineer.
Strymon is known for making some of the best delay pedals on the market, and the Timeline is undoubtedly the best of their American-made lineup. The Timeline’s killer feature is that you’re not just getting a pedal that performs a few things well – it does a great job with classic delay types while also offering a variety of less traditional delays that give delays a whole new sonic pallet.
This is Strymon’s top-of-the-line digital delay unit. Digital, dual delay, pattern (selectable repeat patterns), reverse, ice (plays sections of the input signal at certain harmonic intervals, like an octave or a fifth), duck (a reactive delay that changes based on your dynamics), swell, trem (delay with tremolo), filter (filters either input or repeats, like an auto-wah), lo-fi (sounds like a jukebox), filter (filters either input or repeat (recreation of analogue delay).
Electro Harmonix Canyon Delay and Looper
From the iconic Memory Man on down, Electro Harmonix is known for manufacturing some of the best delay pedals on the market. Electro Harmonix has taken the Deluxe Memory Man and made a more compact but still feature-packed version with their latest model. Not only does the Canyon provide a wide range of echoes, from the familiar to the otherworldly, but it also has a killer looper.
While Boss revolutionised digital delay, EHX pioneered analogue devices a decade earlier, most notably the Deluxe Memory Man, the world’s first echo/delay unit with no moving parts. It’s been covered by artists including U2, Radiohead, and The Cure over the years.
The Canyon is the company’s first compact multi-mode delay, featuring 11 delay types, including a 62-second looper and the pitch-shifting Octave mode, which is a first in an affordable compact. While it lacks the raw power of the DD-500 or Timeline and lacks stereo outs, it manages to cram a lot into a compact space, which is usually good news for pedal enthusiasts. One of the most versatile delay pedals available.
One of Electro Harmonix’s trump cards has to be the layout’s economy: with only a few knobs, you can access a wide selection of the best delay sounds available at this price point. Just in case you forgot why you were interested in Electro Harmonix digital delay pedals in the first place, they’ve included a DMM setting, which gives you access to the iconic Electro Harmonic Deluxe Memory Man sound.
Overall, the Canyon earns Electro Harmonix a spot on any list of the finest delay pedals, and it may even let you to free up some space on your board by removing your looper pedal!
BOSS DD-500 Digital Delay Guitar Pedal
- Studio-level stereo sound with 32-bit/96 kHz processing throughout12 versatile delay modes from vintage to modern deliver unlimited creative...
The Boss DD500 Digital Delay Twin Pedal is an excellent choice for guitarists and bassists looking for a variety of delay effects. Within this multi-effects device, you’ll find 12 various types of adaptable delay settings. Analog delays, tape delays, pattern delays, and even reverse delays are all available. Standard, Analog, Tape, Vintage Digital, Dual, Pattern, reverse, SFX, Shimmer, Filter, Slow Attack, and Tera Echo are all included, putting a complete studio’s worth of delay at your fingertips.
Let’s not mince words: delaying is unquestionably Boss territory. The DD-2, the world’s first mass-produced digital delay pedal, was released by the Japanese business in 1983, and the series is still going strong today. And now, after facing intense competition in the high-end market from companies like Strymon and Eventide, they’ve really stepped up their game.
Meet the DD-500, which has a massive 297 patches to preserve your carefully constructed tones, as well as the ability to run two at the same time. There’s also a 120-second looper, as well as the ability to freeze notes or modify delay rates into musical infinity. It’s one of the most powerful delay machines ever created, but it’s still less expensive than most other high-end units. All in all, a perfect score.
The assignable settings are one of the coolest features of this pedal, and one of the reasons we think it’s one of the best delay pedals ever built. You can adjust every component of your delay. You can fade in the delay, make dotted 8th notes, and other things. Create your own sounds by storing your patches and scrolling through them using the switches. We strongly advise you to try out the DD500. This is one of the nicest delay pedals you could expect to play if you want the unpredictability and warmth of old tape delay but also want comprehensive control over analogue delays.
Strymon El Capistan dTape Echo Delay Pedal
- Five tape adjustment and tone shaping knobs: Time, Mix, Tape Age, Repeats, Wow & Flutter.
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters.
- 115dB typical signal to noise.
The Strymon El Capistan is a digital version of the traditional tape delay and echo sounds. It’s not possible to replicate every stage of a signal as it passes through an analogue piece of gear like a tape echo. To handle every element in recreating an excellent tape unit, the El Capistan uses powerful CPU processors.
On current delay pedals, controls for Tape Age, Wow and Flutter, Tape head, and Mode are in addition to the normal Time, Mix, and Repeats parameters. As a second footswitch, there’s a Tap tempo option, which isn’t available on vintage tape players.
Despite being an analogue delay pedal, the dTape Echo incorporates patented Sharc DSP Technology, allowing you complete control over the Tape Echo’s every aspect. Within that rich and warm analogue sound, this comprises machine health, tone ageing, delay duration, tape age, and more.
As a result, you’ll be able to make a tape delay effect that’s studio-quality or studio-apartment-quality. While tape delays may be a niche sound, fans will agree that it doesn’t get any better than this.
Universal Audio Starlight Delay Pedal, (GPM-STAR)
- Create with stunning emulations of iconic tape echo hardware, with selectable New, Used, and Worn tape machines
- Quickly access sounds with Live/Preset modes, and play with silent switching, spillover, optional preamp coloration, tap tempo, and true or...
- Craft legendary bucket-brigade analog delay effects with the color, texture, modulation, and haze of the original hardware
Universal Audio is one of the most interesting newcomers to the pedal industry, having established a solid reputation in the studio. They’re most known for their Apollo audio interfaces and plugins, so surely they’ll keep winning? Yes, it is correct. The Starlight Echo Station joins an already crowded pricing range, but channeling the spirit of the Echoplex and Memory Man Deluxe makes this a wonderful alternative for people seeking somewhat more vintage, analog tones than other high-end delay pedals.
There’s not much this delay pedal can’t do, with customizable preamp tone coloration, apparently limitless mode possibilities to choose between, modulation aplenty, and the gain-inducing ‘Color’ knob. People may be frustrated by the lack of MIDI and the dependency on apps, but we believe the tonal quality more than compensates.