Best Fuzz Pedals 2021

Electro-Harmonix Op-amp Big Muff Pi Fuzz Pedal

The standard Big Muff triad of Volume, Tone, and Sustain knobs are present on this nano-sized pedal, as well as a switch that bypasses the Tone knob. There’s a touch more coarseness to the sound than you’d get from a normal transistor-based Big Muff, an underlying gritty crunch that lends itself to grunge riffing and thick ‘n’ heavy chord work.

Fans of grunge and alternative rock have long admired the original 1970s EHX Op-Amp Big Muff for its distinctively harsh and biting fuzz style compared to transistor-based Muffs – as famously and devastatingly exploited by Billy Corgan on some of the Smashing Pumpkins’ biggest singles. EHX has now resurrected the pedal in a compact form, enlisting the help of Mr. Corgan to ensure that this new edition offers all of the classic 90s alt-rock sounds – and a lot more.

There are sweet spots in between the extremes, where you can use the tone knob to dial in the proper amount of edgy presence, or use the Tone Bypass to get straight to a no-nonsense sound that slices through the mix. Those looking for the classic Smashing Pumpkins tone will get it here, in a tiny pedal from the original manufacturer at a reasonable price.

Even if that’s not your cup of tea, you’ll discover a reliable source of edgy fuzzy distortion that lends itself to a wide range of heaviness. The Big Muff is not only a must-have for any pedalboard, but it’s also one of the greatest affordable fuzz pedals available. Electro-Harmonix Op-amp Big Muff Pi is one of the Best Fuzz Pedals.

Electro-Harmonix Big Muff Pi Guitar Effects Pedal

Electro-Harmonix Big Muff Pi Guitar Effects Pedal
  • Singing sustain with attitude
  • Crushing distortion
  • Adjustable tone

What greatest fuzz pedal list would be complete without the Electro-Harmonix Big Muff Pi, particularly with the new Tone and Wicker switches?

The Electro-Harmonix Big Muff Pi is the Best Fuzz Pedal, let alone one of the most well-known and adored fuzz pedals. It’s been around since 1969 and has undergone numerous alterations since then. The Electro-Harmonix Bass Big Muff Pi will be discussed later in this post.

This pedal is classified as a distortion/sustainer, but it’s more commonly referred to as a fuzz. This pedal creates a rich, creamy, violin-like sustain as well as remarkable fuzziness. It’s appeared on a slew of albums and can be found on pedalboards all across the world.

This beast has had a top-tier reputation since prior versions, and it continues to rule the charts because it keeps improving. The Tone and Sustain knob (essentially your distortion knob) still supports the same fuzz, but EHX has broadened the spectrum of sounds you can get out of these.

The Tone knob now has an on/off switch, allowing you to entirely bypass it and receive a full frequency spectrum fuzz if desired. Keep it engaged and roll the tone back for a warmer fuzz, but then turn on the Wicker switch to open up the high-end frequencies once more.

As a result of combining the two, you now have more control over the mids, which you may effectively scoop out if you prefer. Alternatively, keep both engaged for extra crispy and crunchy fuzz. Now you have a plethora of choices.

Z.VEX Fuzz Factory

ZVEX Effects Fat Fuzz Factory Germanium Fuzz Guitar/Bass Pedal
  • Sub switch with even more bottom end than the original Fuzz FactoryWorks well with guitar or bassAs low current as possible, with On' current less...

The Fat Fuzz and Fuzz Factory 7, as well as a slew of additional models and tweaks, were all inspired by the ZVEX Fuzz Factory. Most fuzz pedals have no more than three knobs. This bad boy even has a Gate knob to assist muffle any noise from the high-gain effect once your sustain has run its course. There’s also a compressor that can keep the assault in your playing dynamics or squash them for a full-on big fuzz attack.

The Fuzz Factory is without a doubt the most well-known and acclaimed modern fuzz pedal, having been released in the 1960s and 1970s. This is a five-knob fuzz that uses two fresh old-stock ’60s germanium transistors and provides circuit manipulation unlike any other.

The drive knob is a classic “more or less distortion” knob. “Stability” is the meaning of the Stab knob. It regulates the amount of voltage that is provided. Turning it all the way to the right simulates the battery or power supply failing, while turning it all the way to the left simulates the battery or power supply failing.

You may use the voltage sag to create some fascinating effects, or you can ignore it entirely. It’s all up to you how insane you want to go! All of these elements work together to create a fresh classic that has already spawned variants, but none of them justify the increased price. The original is still available.

The Fuzz Factory is adaptable in a manner that other pedals aren’t, thanks to a combination of germanium transistors, feedback loops, and knobs that allow the operator to mis-bias the circuit inside. Do you want to lower the input voltage such that the pedal oscillates? Go ahead and do it. Is it possible to feed the output of one block back into another? Yes, of course!

As a result, attaining the sounds you desire requires careful juxtaposition of the pedal’s knobs, with squeals, howls, and feedback along the way — that said, this is a terrific fuzz pedal for sonic adventurers. The Fuzz Factory can also produce traditional harmonically rich fuzz, cool resonant droning feedback that can be tuned to pitch, and gated staccato lunacy. Yes, it’s a beast that needs to be tamed, but it has the broadest range of fuzz-derived sounds of any single stompbox. Even now, when there appear to be more pedal companies every day, the tiny Fuzz Factory has something basic, elegant, and thrillingly rebellious about it.

EarthQuaker Devices Hoof V2

EarthQuaker Devices Hoof V2 Germanium/Silicon Hybrid Fuzz Guitar Effects Pedal
  • Features a hybrid Germanium/Silicon design, pairing maximum tone with maximum temperature stability
  • Wide gain range provides everything from amp-like overdrive to monstrous fuzz madness
  • Features a smooth, natural and harmonically rich sustain

The EarthQuaker Devices Hoof has a lot of horsepower. The fact that each Hoof is fully analogue and handcrafted adds to its attractiveness. It uses a germanium/silicon hybrid circuitry, similar to a few others on the list, to give a high-quality vintage sound as well as a ripping modern fuzz. It all depends on how you adjust the knobs on this attractive, well-built chassis with real bypass switch.

With the Tone and Level knobs, there’s nothing new to say, but with the others, things get interesting. The Fuzz knob is a basic distortion knob for cranking up the gain to produce more of the effect. When used in conjunction with the Tone knob, the Shift knob is a fantastic addition.

If you want a more vintage sound, lower the Tone to obtain a warmer fuzz with less high-end, or leave it at the right to keep the high-end and keep the sound more modern. However, if you want a more modern sound, you can lower the Shift, which is a mid-contour. This means you can scoop or raise the mids for further warmth while keeping the highs the same. It’s up to you to keep the muck under control.

The Hoof has a limited quantity of coloration, which many people find appealing. It’s not completely translucent, but it’s also not completely coloured. It does, however, have an incredible amount of gain and volume. This is the signal you should use if you wish to completely destroy it.

EarthQuaker Devices Hoof V2 Germanium/Silicon Hybrid Fuzz Guitar Effects Pedal

EarthQuaker Devices Hoof V2 Germanium/Silicon Hybrid Fuzz Guitar Effects Pedal
  • Features a hybrid Germanium/Silicon design, pairing maximum tone with maximum temperature stability
  • Wide gain range provides everything from amp-like overdrive to monstrous fuzz madness
  • Features a smooth, natural and harmonically rich sustain

The EarthQuaker Devices Hoof has a lot of horsepower. The fact that each Hoof is fully analogue and handcrafted adds to its attractiveness. It uses a germanium transistors and silicon hybrid circuitry, similar to a few others on the list, to give a high-quality vintage sound as well as a ripping modern fuzz. It all depends on how you adjust the knobs on this attractive, well-built chassis with real bypass switch.

With the Tone and Level knobs, there’s nothing new to say, but with the others, things get interesting. The Fuzz knob is a basic distortion knob for cranking up the gain to produce more of the effect. When used in conjunction with the Tone knob, the Shift knob is a fantastic addition.

If you want a more vintage sound, lower the Tone to obtain a warmer fuzz with less high-end, or leave it at the right to keep the high-end and keep the sound more modern. However, if you want a more modern sound, you can lower the Shift, which is a mid-contour. This means you can scoop or raise the mids for further warmth while keeping the highs the same. It’s up to you to keep the muck under control.

The Hoof has a limited quantity of coloration, which many people find appealing. It’s not completely translucent, but it’s also not completely coloured. It does, however, have an incredible amount of gain and volume. This is the signal you should use if you wish to completely destroy it.

Wampler Velvet Fuzz V2 Guitar Effects Pedal

Wampler Velvet Fuzz V2 Guitar Effects Pedal
  • Designed with all the character, power, and tone of a classic fuzz and with the option to tame the sound and bring it back under control
  • Features two completely different clipping options, not just the basic silicon or germanium option like most pedals
  • Capable of achieving those classic fuzz big tones that compress massively across the bottom

The goal with the Wampler Velvet Fuzz wasn’t just to produce a new distinctive fuzz sound; it was to compress a whole signal chain of sounds into one pedal, including some of the best alternatives available. Brian Wampler nailed it when he wanted this to sound like the top fuzzes pushed through a stacked EL34 tube amp. If you prefer the sounds of David Gilmour or Eric Johnson, then this could be the pedal for you.

There have been some very amazing examples of fuzz tone history, especially those generated by running a fuzz into a screaming stack, typified by their depth, ferocity, and smoothness. The Velvet Fuzz, a pedal that blends the best of vintage fuzz character, power, and tone with the sound of an EL34-powered stack, is based on this concept.

You’ve got your standard Volume, Fuzz, and Tone controls (with the tone labelled as Brightness). There’s also a switch to toggle between ‘Big’ and ‘Tight.’ On the Tight preset, keep the Fuzz knob turned down to get just a trace of dirt, or move to Big and turn the Fuzz all the way to get some insanely forceful clipping. You can potentially land somewhere in the middle. Because of the Big / Tight switch, this pedal has a lot of versatility.

Big creates a rich and black fuzz reminiscent of the 1960s and 1970s. Tight transports you to a world of brighter sounds with more clarity, which we’ve learned to enjoy in the modern era. Of course, the Brightness knob in the mix allows you to create your own unique sound. It’s been said that if you enjoy Eric Johnson’s sound, you’ll love this pedal.

Death by Audio Fuzz War Pedal w/ Power Supply

Death by Audio Fuzz War Pedal w/ Power Supply
  • Includes a Power Supply!
  • VOLUME - (The little ramp graphic) Controls the overall output volume of the pedal.
  • FUZZ - Controls the drive or gain of the fuzz circuit. At it's lowest setting the pedal just acts as a tone shifter. As the fuzz knob is turned up it...

Death By Audio’s Fuzz War pedal keeps things simple while also improving them. This pedal creates a huge distortion while allowing your original notes to reverberate. You can also use additional fuzz to obliterate them.

When you name your pedal Fuzz War, you’re sending a message to the world that you’re not playing around. And it takes no prisoners as soon as you put in Death By Audio’s work. In this three-knob box of dirt, there’s no room for nuance or subtlety; instead, you get a bludgeoning bombardment of wonderful noise.

However, it’s still a versatile beast. Every small adjustment to the knobs throws you into a new universe of aural rage. Sure, it’s not the most courteous pedal out there, but if you’ve had your fill of classic, low-gain fuzzes and just want to blow some air around, the Fuzz War will win any war you throw at it.

Your volume control is the tiny knob with the horizontal ramp below it. The Fuzz knob is where things get very interesting. When you flip the knob completely counter-clockwise, you’re effectively turned off. The Tone knob can still be used as an EQ, and the volume can be used as a boost. As you turn the knob clockwise, you’ll progress from overdrive to standard and thick distortion, and finally to joining the ranks of the fuzz war’s guitar soldiers.

The Tone knob on this guitar is also unique. Instead of a traditional high-frequency roll-off, it’s referred to as a “multi-curve shaping filter” here. It performs the same functions as standard Tone knobs, but it also alters the timbre of the signal to help emphasise the bass, mids, or highs, depending on where you place it. This is a beautiful and high-quality pedal that has quickly risen to the top of the fuzz game. If you’re feeling adventurous, give it a shot.