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Best Bass Multi-Effects Pedals 2022

Bass guitar is frequently referred to as the underappreciated yet valuable band member. Many people are deterred from learning the bass, nevertheless, due to the instrument’s lack of popularity and the narrow tonal range offered by its four strings. Multi-effects pedals for bass guitars, which are single physical units that offer bass players a range of sound effects to employ while playing and can either be handled by foot pedals or knobs/switches, have gained popularity since the 1980s. But which bass multi-effects pedal is the greatest one now on the market?

It can be intimidating to buy a multi-effects pedal if you are just starting out on bass guitar. Make sure you take the time to consider the elements that address the product’s quality and the protection you receive as a customer. We advise you to think about the size, weight, digital connectivity, presets, and guarantee before making a purchase. Don’t automatically assume that high cost equals high quality. There are various pedals available for a fantastic price that might be ideal for your needs.

Boss GT-1B Bass Multi-Effects Processor

Boss GT-1B Bass Multi-Effects Processor
  • Bass Multi-effects Processor with 24-bit Processing
  • 32 Seconds of Looping
  • 90 Effects

One of the first pedal manufacturers to cash in on the 1990s multi-effects frenzy was Boss. Since then, they have kept producing sturdy multi-effects pedals with amazing sounds and functionality. The GT-1B is a tribute to their past because it is loaded with helpful functions and can fit in practically any gig bag. There are numerous bass-focused effects included in it, including synths, chorus, flanger, limiters, overdrive, distortion, compressors, limiters, and even a 32-second looper. It has three foot switches and a pedal for the expression and volume. You can change the parameters of the selected effect type shown on the LCD screen using the three control knobs located on the pedal’s upper-middle portion. The “easy” component of the pedal, which consists of two buttons on the top left side, is the simplest way to operate it. These enable you to browse effects categorized by musical style or effect kind.

The square-shaped buttons underneath the LCD panel can be used to conduct a more thorough study. One of these can be quickly tapped to activate it, and by keeping it down, the LCD shows its controls. You can apply various effects to the FX1, FX2, and Delay buttons using menus, and you can rearrange the effects in the signal chain using the memory edit button. The left and middle foot switches, which are marked with the up and down symbols, are used to cycle through the 99 presets and the 99 user-defined ones. When both of the same footswitches are depressed at once, the tuner is activated. One of numerous tasks that may be set to the CTL1 footswitch includes activating a solo boost, tapping tempo, activating various effects, and more. By simultaneously depressing the UP and CTL1 footswitches, the looper is activated. The CTL1 switch then takes care of any other looping tasks. The GT-1B’s capabilities can be increased even further by adding external footswitches. It may be connected to a PC via the USB type B port, where you can access a more thorough overview of the effects parameters and perform more simpler editing. You can download user profiles made by different artists using the same port. The GT-1B provides a wide range of sounds, from the practical to the bizarre. Overall, the sound quality is fantastic, and there aren’t many areas where personalization may be improved.

The BOSS GT-1B is an aluminum-encased digital bass multi-effects processor. Three foot switches and a volume/expression pedal are included. It has two banks with 99 presets each and 90 different sorts of effects, one of which is user-definable. It also functions as an audio interface and contains a 32-second looper so you can record directly into your favourite DAW. You may send your signal to two different amps using its stereo outputs. The headphone jack allows you to practice in quiet while the aux in allows you to rock to your favorite songs. The GT-1B can operate for approximately 7 hours on 4 AA batteries or for 200mA on a 9V PSU (not included).

A high-quality multi-effects processor with a variety of sounds and many practical capabilities is the GT-1B. It’s the perfect companion for live performances, and since it also functions as an audio interface, recording with it is a breeze. Even though it is pretty simple to use right out of the box, reading the handbook will reveal a vast array of features. It’s a fantastic option for bassists of all skill levels, from beginners to experts.

The GT-1B is an excellent pedal with a reasonably small housing that fits into most gig bags. It costs less than some higher-end single effect pedals while still providing excellent sounds, utility, and diversity.

Tech 21 Bass FlyRig v2 Bass Multi-FX Pedal

Tech 21 Bass FlyRig v2 Bass Multi-FX Pedal
  • The expanded SansAmp section features 3-band active EQ and provides professional grade tweakability for any situation
  • Character Mode: The Character mode switch offers a choice of voicings within the bass tube amplifier sound spectrum
  • Chorus: Adds the choral voicings of two instruments. With a slight delay between, it adds thickness and space

Since it hit the market, the Bass Fly Rig from legendary pedal manufacturer Tech21 has been flying off the shelves. This extremely portable analog multi-effects unit was created with the bass player in mind. The SansAmp amp emulator is the effect’s throbbing heart. It’s intended use as an amp in a box is implied by its name. It has a Low, Mid, and High control knob along with an active 3-band shelving EQ. When the SansAmp section is activated by pressing its dedicated footswitch, the Drive knob controls the overall amount of gain and overdrive, Level controls the unit’s output volume, and Character controls the drive and attack characteristics in addition to increasing the high-end content as you turn it clockwise. With distorted settings, the Bite switch amplifies the attack while giving your clean sounds more distinction. The signal is routed from the input through the chorus, octave/filter/fuzz, clean boost, and compressor before reaching SansAmp. The tone knob increases highs at 2-3 kHz, the level knob controls the output level of the compression portion, and the comp knob controls all of your compression parameters.

The dry/wet ratio is adjusted via the Mix control knob in the Octa section, which allows you to apply any mix of octave fuzz and envelope filter to your dry output. Individual switches are used to activate the octave and fuzz effects. The filter has two control knobs: Q controls the filter’s bandwidth and Range controls its frequency response range. With the boost control knob adjusted, the clean boost section allows you to increase your signal by up to 10dB. It features a pre/post EQ switch and its own footswitch to turn it on. The Chorus section is the last in the signal chain; it too has a dedicated footswitch, and the rate and depth of the effect are modified using the chorus knob. There is also a DI with an XLR output and a ground lift button, as is customary for SansAmp.

When the headphone switch is turned on, the 14″ output also functions as a headphone out. The integrated chromatic tuner can be activated by pressing and holding the chorus footswitch. The Bass Fly Rig is actually incredibly simple to set up; each section’s specific footswitches allow you to turn it on or off with just a quick touch. A variety of sounds, including warm, vintage, slightly overdriven, strongly distorted tones, and more, are available in the SansAmp area. You can access synth-like, filtered sounds by include the Octa part; experimenting with this section will make you grin. Despite having an analog heritage, the compressor is generally a relatively quiet pedal. However, higher tone settings can make it slightly noisier. One fascinating feature of this pedal is that when the foot switches for each segment are depressed, the control knobs for that sections will light up, letting you know at a glance which sections of the pedal are active.

The Tech21 Bass Fly Rig is a 20oz analog bass multi-effects pedal with dimensions of just 12.5″x2.5″x1.25″ with a very small enclosure. It has a 3-band active EQ with a +/-12dB boost or cut for the Low@80Hz, Mid@1kHz, and High@3.3kHz frequencies. It features a chorus, octave/fuzz/envelope filter, clean boost, preamp, and compressor with distinct footswitches. You can perform live without an amp by connecting your guitar directly to a mixing console or PA using the DI XLR output. The 14″ output of the pedal serves as a headphone out and features a buffered bypass. It uses approximately 100mA of a 9V PSU.

This pedal is intended for the analog purists that desire premium tones in a compact form factor. Although it doesn’t have as many different effects as some of its digital multi effects relatives, you still get premium build quality and premium sounds, which more than make up for its higher price. Any musical style can use it, and any level of bass player can use it thanks to its straightforward design.

Warm analog sounds are combined with the adaptability and design of a digital multi-effects processor in the Bass Fly Rig. Without consulting a handbook, it is simple to use and set up right out of the box. Although it isn’t inexpensive, the pricing is pretty reasonable for what it offers.

Zoom MS-60B Multi-Stomp Bass Pedal

Zoom MS-60B MultiStomp Bass Guitar Effects Pedal, Single Stompbox Size, 58 Built-in effects, Tuner
  • Single stompbox design. Easy-to-use interface includes LCD, footswitch, and analog-style cursor keys/parameter knobs.
  • Create and store up to 50 original patches, 30 preset patches ready for immediate use.
  • 58 effects types (52 stompbox effects, 6 amp models) can be used in any combination. Use up to four effects simultaneously.

The MS-60B is the most portable multi-effects processor available in pedal form. ZOOM has added a fourth simultaneous effect to the B3 bass processor, expanding its functionality, and fitting it into an enclosure the size of a single effects stompbox. The MS-60B has 52 stompbox effects and 6 amp models that are stored in 80 patch memory, 50 of which can be customized by the user while the other 30 cannot. Additionally, you can make a list of 26 patches to cycle between when you push the footswitch on the MS-60B. When you perform through a known setlist, for example, and your effects are in a predetermined order, this tool is really helpful.

There are three control knobs with push buttons, a footswitch, and four cursor buttons positioned around the footswitch in the very straightforward control scheme. You can scroll through your patches using the cursor buttons. Following the selection of your preferred patch, you can arrange the order of up to 4 effects in the signal chain as you see fit. The three control knobs can be used to change their parameters when the parameters are displayed on the LCD screen. There are many different effects to play with and experiment with, including 6 amp simulations based on well-known Ampeg, Fender, Aguilar, or MarkBass amplifiers, 19 dynamics and filter-based effects (compressors, EQs, filters, exciters, and frequency splitters), 11 boosters and overdrives, and 14 different modulation effects. When you explore the pedal’s deeper features, you can pretty much get anything out of it, and the tones it offers are excellent.

A digital multi-effects processor called the MS-60B is housed in a typical stompbox-sized container. It has 6 amp emulations and 52 distinct stompbox effects. The single footswitch’s four cursor buttons let you to browse through the menus, and hitting two of them simultaneously gives you access to the built-in tuner’s two tuning modes. You may modify the parameters of the various effects in the signal chain of your patch using the three control knobs. A 14″ input and two outputs provide for full stereo functioning on the MS-60B. You can power the pedal and update the firmware via the USB connector. It can play continuously for around 7 hours on a 9V standard PSU or for about 7 hours on 2 AA batteries.

A digital multi-effects processor the size of a stompbox, the MS-60B is loaded with features. Although it is pretty simple to set up and play straight away, you’ll need to spend some time with the handbook to get the most out of it. With shared control capabilities, it can occasionally be a touch perplexing, making it more suitable for experienced bass players.

The MS-60B Multistomp is a remarkable engineering achievement. It comes in one of the tiniest sizes available and offers fantastic acoustics and customizing choices. Take a look at the MS-60B if you want a tiny multi effects unit with plenty of features that won’t break the bank.

VOX StompLab 2B Multi-Effects Modeling Pedal with Expression for Bass Guitar

VOX StompLab 2B Multi-Effects Modeling Pedal with Expression for Bass Guitar
  • A total of 100 preset programs are categorized into styles such as rock, blues, metal, and pop.
  • Easy to use interface; even novice users can instantly access the sounds they want.
  • Stomp Lab OIB provides 61 types of modeling effects.

A excellent illustration of how far multi-effects units have advanced since its debut is the Vox Stomplab 2B. It is extremely portable, has excellent sound quality, and is very reasonably priced. Its small size (8 12″ by 5″) occasionally makes it more difficult to use, but its portability and versatility more than make up for it. The Stomplab 2B comes with a volume/expression pedal and two footswitches for switching between the various tone banks (also on the smaller side). With a maximum of 8 effects active at once, there are 61 effects, amp, and cabinet emulations to experiment with, all of which are stored in 100 preset slots in addition to an additional 20 user-definable slots. You’ll need to go through the documentation to understand which readouts belong to whatever effect or emulation because the LED display can only show two numbers, but once you’ve done that, it’s very obvious. One of the easiest processors to use right out of the box is the Stomplab 2B; in program mode, effects are organized into genre-specific categories.

While the other two knobs allow you to adjust the Level and Gain of the amp, the Category control knob chooses the genre that delivers an amp emulation that fits that form of music. You can browse through the effects with the two footswitches. The Edit button allows you to change the controls on the pedal’s secondary functions and effect parameters. Any amp or effect parameter can be controlled by the expression pedal. The output of the Stomplab 2B also functions as a 14″ headphone output, allowing you to rock quietly without disturbing your neighbors. Each music genre’s amp emulations sound amazing and are carefully picked. Although there are just two customizable settings for the effects, there are a lot of tones available. The chorus, flanger, and phaser effects are excellent, as are the envelope filters. While distortion sounds are a little metallic and tinny, overdrive sounds are tolerable.

The Stomplab 2B is a well-made, incredibly small pedal with a sturdy aluminum frame. There are 61 different effects, amp, and cabinet types available for experimentation. It has two footswitches to cycle through the effect banks, as well as an expression pedal that can be programmed to control any amp or effect parameter. It can be powered by 4 AA batteries or a 9V PSU.

One of the top rankings in the category of value for the money goes to the Stomplab 2B. Its ease of use right out of the box makes it ideal for those who are new to effects processors, and its small size guarantees that you can fit it in any gig bag.

This pedal is excellent and delivers a wide variety of sounds. Its pricing is also exceptional. You get a lot more for your money with the Stomplab 2B. Overall, I believe this to be the best bass multi-effects pedal available for less than $100.

Fender Downtown Express Electric Bass Guitar Multi Effect Pedal

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Fender Downtown Express Bass Multi-Effect Pedal
  • Multiple effects in one box
  • 3-Band EQ
  • Overdrive

Founded by Alex Aguilar of Aguilar Amplification, the Fender Downtown Express is an all-analog multi-effects pedal that was created with bass players in mind. In a well-made and durable aluminum enclosure, it features a preamp with an active 3-band EQ, an overdrive with a cabinet simulation, and a compressor. Each of the three effects can be used independently or in combination; they are all independent of one another. Each of the three effects has its own footswitch on the Downtown Express, and there is also a special mute switch that only activates the tuner dry output when engaged.

The LED killswitch is located on the front of the pedal and can be used to turn off all of the control knobs’ LED backlighting, making them easy to see even on the darkest of stages. The 3 knobs for Bass, Middle, and Treble control the EQ section, while the Equalizer footswitch engages or deactivates the EQ. There are 3 control knobs on the compressor section: Gain regulates how much of your signal is fed into the compression circuit (the gain reduction indicator LED will light up when gain reduction or compression is occurring), while Blend allows you to blend the compressed signal with your unaffected one. Threshold controls the compressor’s sensitivity (how loud you have to play for the compression to start working) (fully clockwise gets you a wet, compressed signal only).

The Drive knob controls how much saturation is applied to your signal, Tone controls how treble-heavy your distorted signal is, and Level controls the output loudness for the overdrive part. The total output volume can be changed using the Master control knob. With the OD/COMP switch, you may additionally control the placement of the overdrive and compression circuits in the signal path. The Downtown Express also features a balanced XLR DI output with speaker cabinet modeling (when the overdrive is turned on) for a warm, tube-like sound when you run your signal into a mixing desk, PA, or audio interface.

The DI signal path switch is located on the front of the pedal and allows you to select whether only the impacted signal, the affected signal plus EQ, or the entire signal should travel to the DI. It’s remarkable how many different tones the Downtown Express offers. The overdrive produces a variety of tube-like sounds, from warm, vintage tones with a lot of harmonic content to harsh, overly compressed, nearly distortion-like tones. With the EQ, you have even more flexibility because you can precisely shape both your clean and overdriven tones. Low compression ratios cause the compressor to behave more like a sustainer, but it still does a great job.

A well-designed, analog multi-effects pedal including an active 3-band EQ, a compressor, and an overdrive circuit is called the Downtown Express. The three effects each have their own foot switches and operate in total isolation from one another. If you connect your tuner to the tuner output, the dedicated mute footswitch allows you to tune in silence; otherwise, it serves as the pedal’s killswitch. Additionally, it has a flexible XLR DI out with a ground lift switch that enables you to select which portion of your signal is sent to the DI. It merely has a 9V power supply and uses 400mA.

All degrees of analog fans are targeted by The Downtown Express. Both novices and experts may easily and intuitively utilize the straightforward control arrangement. The excellent audio quality and extremely low noise levels make it the perfect partner for live performances as well as studio work. Despite not being the most adaptable pedal on this list, the Downtown Express performs much beyond its asking price. It is a sturdy device with good bass tones, and it has many tuning and routing possibilities.