W. A. Production KSHMR Reverb 1.2 is a collaborative effort between renowned DJ/producer KSHMR and W. A. Production. This plugin aims to provide a versatile and intuitive reverb solution for music producers and sound designers. The interface is sleek and modern, featuring a dark color scheme with vibrant accents. KSHMR Reverb 1.2 offers three main reverb algorithms: Hall, Plate, and Spring, each with its own distinct character. The plugin’s layout is divided into several sections, including standard reverb controls, a volume manager, tone manager, and special effects. One of the standout aspects of this plugin is its focus on shaping and controlling the reverb tail, offering features like ducking, gating, and fade-in controls. The 1.2 update introduces several new features, including tempo-synced pre-delay, MIDI input capabilities, and an enhanced wet signal visualizer.
Pros:
• Intuitive interface with easy-to-use controls
• Unique volume management features for shaping reverb tails
• Wide range of presets suitable for various genres and instruments
• Special effects section with reverse reverb and octave shifting
• Affordable price point, especially during introductory offers
Cons:
• Some users report issues with the basic sound quality of the reverb algorithms
• Lack of A/B comparison feature for quickly switching between settings
The KSHMR Reverb 1.2 plugin offers a comprehensive set of features designed to give users precise control over their reverb sound. At its core are three reverb algorithms: Hall, Plate, and Spring. The Hall algorithm simulates the sound of large spaces, ideal for creating a sense of depth and ambience. The Plate algorithm emulates the classic sound of plate reverb units, known for their bright and dense character. The Spring algorithm recreates the unique sound of spring reverb, often associated with vintage guitar amplifiers.
The plugin’s main interface is divided into several sections, each focusing on different aspects of reverb shaping. The top section houses standard reverb controls such as diffusion, pre-delay, width, length, mix, and size. Users can switch between a traditional mix control and a “Reverb Volume” mode, which allows for adjusting the wet signal independently of the dry signal.
One of the standout features of KSHMR Reverb 1.2 is its Volume Manager section. This area provides tools for shaping the reverb tail, including a full ducker, fade-in ducker, and gate. These controls allow users to create dynamic reverb effects that respond to the input signal, helping to maintain clarity in busy mixes or create interesting rhythmic effects.
The Tone Manager section offers additional control over the reverb’s character. It includes a soft transient feature, which helps to tame harsh transients in the reverb tail, and a tonal reset function that re-triggers the reverb algorithm with each new transient. These features can be particularly useful when working with percussive or transient-rich material.
The Special FX section adds creative possibilities with its reverse reverb and octave shifting capabilities. Users can blend in reversed reverb tails or shift the pitch of the reverb up or down an octave, opening up new sound design possibilities.
KSHMR Reverb 1.2 introduces several new features, including the ability to toggle between millisecond and tempo-synced pre-delay modes. This addition allows for more rhythmically precise reverb effects. The update also brings MIDI input capabilities, enabling users to control volume management and reverse effects via MIDI, adding a new dimension of real-time control.
The plugin now features an enhanced wet signal visualizer, providing users with a clearer representation of their reverb’s behavior. A new, brighter v2 Hall Reverb algorithm has been added, expanding the sonic palette available to users. The de-esser functionality has been improved for more natural-sounding results, and users can now modify its range more easily. Additionally, the plugin now offers both light and dark interface modes to suit different working environments.
When compared to other popular reverb plugins like FabFilter Pro-R or Valhalla VintageVerb, KSHMR Reverb 1.2 stands out for its focus on reverb tail shaping and creative effects. While some users report that the basic reverb algorithms may not match the pristine quality of top-tier reverb plugins, KSHMR Reverb compensates with its unique features and workflow-enhancing tools. The plugin’s ducking and gating capabilities are particularly noteworthy, as they allow for more precise control over how the reverb interacts with the dry signal – a feature not commonly found in standard reverb plugins. However, some users have noted that the reverb algorithms themselves may produce a slight wavering or phasing effect, which could be undesirable in certain applications, particularly on lead vocals.
This plugin is best for:
• Electronic music producers looking for creative reverb effects
• Sound designers seeking unique spatial processing tools
• Producers who prioritize workflow efficiency and quick results
• Musicians working in genres that benefit from dynamic, shapeable reverb
KSHMR Reverb 1.2 is a feature-rich reverb plugin that offers a blend of standard reverb functionality and unique creative tools. Its strengths lie in its intuitive interface, comprehensive reverb tail shaping capabilities, and special effects. The plugin excels in electronic music production and sound design scenarios where dynamic and creative reverb processing is desired. While some users have reported issues with the basic sound quality of the reverb algorithms, the plugin’s unique features and affordable price point make it an attractive option for many producers. The recent 1.2 update has addressed some previous limitations and added new functionality, further enhancing its value. For those seeking a reverb plugin that goes beyond traditional parameters and offers creative sound shaping possibilities, KSHMR Reverb 1.2 is worth considering, especially given its competitive pricing.