Newfangled Audio Recirculate is a delay and reverb plugin that combines classic delay techniques with modern sound design capabilities. It features a unique feedback network that allows users to create complex, evolving textures and rhythmic patterns. The plugin’s interface is divided into three main sections: the delay network, the reverb, and the modulation. The delay network consists of four delay lines that can be routed and fed back into each other in various ways. The reverb section adds depth and space to the delayed signals, while the modulation section allows for dynamic movement and variation in the sound. Recirculate’s visual design is sleek and modern, with an intuitive layout that encourages experimentation. The plugin’s sound quality is pristine, capable of producing everything from subtle ambience to wild, chaotic soundscapes.
Pros:
• Highly flexible delay network for creating unique textures
• Intuitive interface with visual feedback of signal flow
• High-quality reverb algorithm adds depth and dimension
• Powerful modulation options for dynamic sound design
• Presets cover a wide range of creative applications
Cons:
• CPU usage can be high when using complex configurations
• Learning curve may be steep for users new to advanced delay concepts
Recirculate’s feature set is extensive and well-thought-out. The delay network is the heart of the plugin, offering four delay lines that can be interconnected in various ways. Each delay line has its own set of controls, including time, feedback, and panning. Users can adjust the routing between delay lines using a matrix-style interface, allowing for complex feedback patterns and rhythmic interactions. The delay times can be set in milliseconds or synced to the host tempo, with a range from 1ms to 2 seconds.
The reverb section complements the delay network by adding space and depth to the sound. It features a high-quality algorithm that can produce a variety of room sizes and characteristics. Users can adjust parameters such as decay time, pre-delay, and diffusion to shape the reverb’s character. The reverb can be placed before or after the delay network, offering different sonic possibilities.
Modulation is a key component of Recirculate’s sound design capabilities. Each delay line has its own LFO that can modulate various parameters, including delay time, feedback, and panning. The LFOs offer multiple waveforms and can be synced to the host tempo or run freely. Additionally, there’s a global modulation section that affects all delay lines simultaneously, allowing for cohesive movement across the entire effect. The plugin also includes a flexible filter section, with high-pass and low-pass filters that can be applied to individual delay lines or the overall output. This allows for precise tonal shaping and can help create space in a mix or focus the effect on specific frequency ranges.
Recirculate interface displays the signal flow between delay lines in real-time, giving users a clear understanding of how their settings are affecting the sound. This visual representation is not only informative but also inspiring, encouraging experimentation and discovery of new sonic territories. The preset management system in Recirculate is robust, offering a wide range of starting points for various musical styles and sound design applications. Users can easily save and recall their own presets, making it simple to build a personal library of custom effects.
When compared to similar plugins, Recirculate stands out for its unique approach to delay and reverb integration. While many delay plugins offer basic feedback options, Recirculate’s network approach allows for much more complex and evolving textures. In terms of sound quality, it competes with high-end reverb plugins, offering a lush and detailed spatial effect. Compared to Valhalla Delay, Recirculate offers more intricate routing options and a more visual approach to sound design. It shares some similarities with Unfiltered Audio’s Sandman Pro in terms of creative potential, but Recirculate’s interface is generally more intuitive and its reverb integration more seamless. Against more traditional delay plugins like EchoBoy or H-Delay, Recirculate offers a much wider range of creative possibilities, though it may be overkill for simple delay tasks. Its closest competitor might be Eventide’s Blackhole, which also combines reverb and delay in unique ways, but Recirculate’s network approach sets it apart.
This plugin is best for:
• Sound designers looking for unique, evolving textures
• Electronic music producers seeking complex rhythmic effects
• Film and game composers needing atmospheric soundscapes
• Mixing engineers wanting creative spatial effects
• Experimental musicians exploring new sonic territories
Newfangled Audio Recirculate unique network approach to delay routing, combined with a high-quality reverb algorithm and extensive modulation options, makes it a versatile tool for a wide range of creative applications. The intuitive interface and visual feedback encourage experimentation, while the preset system provides an excellent starting point for users of all skill levels. While it may be more complex than necessary for basic delay tasks, Recirculate excels in creating complex, evolving textures and atmospheric soundscapes. Its ability to produce everything from subtle ambience to wild, chaotic effects makes it a valuable addition to any producer’s or sound designer’s toolkit. Despite the potential for high CPU usage in complex configurations, the sonic quality and creative possibilities offered by Recirculate make it a standout plugin in the crowded field of delay and reverb effects.