MOK Filtryg is a dual multimode filter plugin designed to add creative animation and movement to audio tracks. Developed by MOK, the creators of the innovative Waverazor synthesizer, Filtryg offers a comprehensive set of filtering and modulation options that go beyond basic low-pass and high-pass filters. The plugin features three distinct filter models: a 12dB State Variable Filter, a 24dB Ladder filter, and a Biquad filter, each with its own unique sonic characteristics. These filters can be configured in series, parallel, or mixed combinations, providing a wide range of timbral shaping possibilities. The plugin is designed to be both a creative tool for sound design and a practical mixing utility. Its ability to generate rhythmic modulations, sidechain pumping effects, and complex filter sweeps makes it suitable for a wide range of musical genres and production styles.
Pros:
• Versatile dual filter configuration with three high-quality filter models
• Extensive modulation options including envelope follower, LFOs, and MIDI tracking
• Intuitive and visually appealing user interface with customizable color schemes
• Audio-rate filter FM for unique harmonic generation
• Cross-platform compatibility (Windows, Mac, Linux)
Cons:
• Lack of a built-in sequencer for creating more complex modulation patterns
• Relatively high CPU usage compared to simpler filter plugins
Filtryg’s user interface is visually striking and intuitive, with a layout that will feel familiar to synthesists and producers. The plugin’s extensive modulation options include an envelope follower, audio-range LFOs, and MIDI keyboard tracking, allowing users to create dynamic and expressive filter effects that respond to both the input audio and performance gestures. Additionally, Filtryg incorporates an audio-rate filter FM generator, enabling the creation of unusual harmonics alongside traditional filter effects.
Filtryg’s core functionality revolves around its dual filter section, which offers three distinct filter models. The 12dB State Variable Filter is continuously morphable between lowpass, highpass, bandpass, and notch modes, providing smooth transitions between filter types. This flexibility allows for dynamic timbral changes that can be automated or modulated in real-time. The 24dB Ladder filter, inspired by classic Moog designs, offers a rich, warm character that’s particularly well-suited to bass-heavy material. The Biquad filter provides additional filter modes and a different sonic flavor, expanding the plugin’s tonal palette.
Each filter stage includes a Drive control, allowing users to add saturation and harmonic richness to the filtered signal. This feature is particularly useful for adding warmth and character to digital sources or for creating more aggressive, distorted tones. The dual filters can be arranged in series, parallel, or mixed configurations, offering a high degree of flexibility in shaping the overall frequency response and character of the processed audio.
One of Filtryg’s standout features is its audio-rate filter FM generator. This allows users to modulate the filter cutoff at audio rates, creating complex sidebands and harmonic content that goes beyond traditional filter sweeps. This feature can be used to generate bell-like tones, metallic textures, and other unique sonic artifacts that blur the line between filtering and synthesis.
The modulation section of Filtryg is particularly comprehensive. The envelope follower can be used to create dynamic filter movements that respond to the input audio’s amplitude, enabling classic auto-wah effects, sidechain-style pumping, and more. The LFOs can be synced to tempo or run freely, with a wide range of waveforms available for creating rhythmic or chaotic modulations. MIDI keyboard tracking allows the filter cutoff to follow note input, making Filtryg behave more like an instrument in its own right.
Filtryg’s user interface deserves special mention. The plugin features a striking, futuristic design that’s not just visually appealing but also highly functional. All parameters and routing options are clearly visible on the main interface, encouraging experimentation and speedy effect programming. The ability to customize color schemes adds a personal touch and can help users tailor the interface to their workflow and preferences.
In terms of practical features, Filtryg supports automation of all parameters from within the host DAW, allowing for precise control over filter movements and modulation. The plugin also includes a range of presets that showcase its capabilities and provide starting points for users’ own creations.
When compared to other filter plugins on the market, Filtryg stands out for its combination of high-quality filter models, extensive modulation options, and unique features like audio-rate filter FM. While many DAWs come with built-in filter plugins, these often lack the depth and flexibility that Filtryg offers. Compared to popular third-party options like FabFilter’s Volcano or Cytomic’s The Drop, Filtryg holds its own in terms of sound quality and feature set. Where Filtryg particularly excels is in its ability to create complex, evolving filter effects that respond dynamically to input audio and MIDI data. This makes it more than just a static EQ or filter, positioning it as a creative sound design tool in its own right. However, plugins like Cableguys’ FilterShaper 3 offer more advanced sequencing capabilities, which some users might miss in Filtryg. In terms of user interface and workflow, Filtryg’s design is more akin to a synthesizer than a traditional mixing plugin. This approach may be particularly appealing to electronic music producers and sound designers who are comfortable with synth-style interfaces.
This plugin is best for:
• Electronic music producers seeking creative filter effects
• Sound designers looking for a versatile tool for spectral shaping
• Mix engineers wanting to add movement and interest to static tracks
• Musicians interested in performative, MIDI-controlled filter effects
• Producers working in genres that heavily utilize filter sweeps and modulation (e.g., EDM, techno, dubstep)
MOK Filtryg is a powerful and versatile filter plugin that goes beyond simple EQ adjustments, offering a wide range of creative possibilities for sound shaping and modulation. Its combination of high-quality filter models, extensive modulation options, and unique features like audio-rate filter FM set it apart from many competitors in the market. The intuitive, visually striking interface makes it accessible to both beginners and experienced users, while the depth of its features provides room for extensive experimentation and sound design. The plugin’s ability to create dynamic, evolving filter effects that respond to input audio and MIDI data makes it particularly well-suited for electronic music production and sound design. However, its versatility also makes it a valuable tool for mix engineers looking to add movement and interest to static tracks across various genres. While Filtryg excels in many areas, the lack of a built-in sequencer for more complex modulation patterns may be a limitation for some users. Additionally, its potentially higher CPU usage compared to simpler filter plugins is a factor to consider for those working on less powerful systems or with large, complex projects. Overall, MOK Filtryg represents a significant addition to the world of filter plugins, offering a unique blend of sound quality, flexibility, and creative potential. Its innovative features and intuitive design make it a compelling choice for producers, sound designers, and mix engineers looking to push the boundaries of their filter effects.