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FabFilter Twin 3 Review

FabFilter Twin 3 is a powerful and versatile virtual analog synthesizer plugin that builds upon its predecessor with a completely redesigned interface and expanded feature set. This third iteration of FabFilter’s flagship synth offers four analog-modeled oscillators, up to four filters with various modes and slopes, an extensive modulation system, and a comprehensive effects section. Twin 3 boasts a sleek, modern interface that prioritizes ease of use without sacrificing depth, making it accessible to both beginners and experienced sound designers. The plugin includes a robust preset browser with tagging and search capabilities, allowing users to quickly find and organize sounds. Twin 3’s sound engine delivers rich, warm analog-style tones with built-in drift for added authenticity. The synth’s polyphony extends to 64 voices, and it includes unison capabilities for creating thick, lush textures. With its high-quality oversampling option, Twin 3 ensures pristine audio output even at higher frequencies.

Pros:

• Intuitive, redesigned interface with resizable window and full-screen mode
• Powerful and flexible modulation system with drag-and-drop functionality
• High-quality analog-modeled oscillators and filters with multiple modes
• Extensive effects section including reverb, delay, chorus, and compression
• Improved preset management with tagging and search capabilities

Cons:

• Limited oscillator waveform options compared to some competitors
• Effects section lacks more advanced routing options

FabFilter Twin 3’s core sound generation begins with its four oscillators, each offering classic waveforms like saw, square, triangle, and sine, along with noise options. The oscillators feature fine and coarse tuning controls, as well as the ability to sync and apply ring modulation. A unique aspect of Twin 3’s oscillators is the inclusion of “pure” versions of the square and triangle waves, which provide additional harmonic content for more complex timbres.

The filter section is where Twin 3 truly shines, offering up to four filters that can be configured in various ways. Users can choose from low-pass, high-pass, band-pass, notch, and shelf modes, with adjustable slopes ranging from 6 dB/octave to 48 dB/octave. The filters also include a “Peak” control for resonance and a “Drive” parameter for adding subtle distortion. FabFilter’s expertise in filter design is evident here, with each type offering a distinct character and response.

Twin 3’s modulation capabilities are extensive and user-friendly. The synth provides multiple modulation sources, including XLFOs (extended low-frequency oscillators), envelope generators, envelope followers, and MIDI sources. The XLFOs offer 16 steps for creating complex modulation patterns, while the envelope generators feature adjustable curve shapes for precise control over attack, decay, sustain, and release stages. Setting up modulation routings is a breeze thanks to the drag-and-drop interface, which allows users to quickly assign sources to destinations.

The effects section in Twin 3 is a significant upgrade from its predecessor, offering six high-quality effects: reverb, delay, chorus, phaser/flanger, drive, and compression. Each effect can be easily enabled and adjusted via dedicated controls, with more detailed parameters accessible through pop-up panels. The reverb and delay effects, in particular, stand out for their rich, spacious sound quality.

Twin 3 introduces an arpeggiator with host tempo sync, groove and legato controls, and various playback options. This feature adds another layer of rhythmic possibilities to the synth, allowing for quick creation of evolving patterns and sequences. The preset management system in Twin 3 is robust and well-organized. Users can browse through a large library of factory presets, which are categorized and tagged for easy searching. The ability to mark presets as favorites and create custom tags enhances workflow efficiency for sound designers and producers.

Twin 3 also includes a high-quality mode that enables internal oversampling for improved sound quality, particularly useful when working with high-frequency content or complex modulation setups. The synth’s polyphony extends to 64 voices, and it offers unison capabilities for creating massive, layered sounds.

When compared to other virtual analog synthesizers, FabFilter Twin 3 holds its own in terms of sound quality and ease of use. Its interface is more streamlined and modern than classics like u-he Diva or Arturia’s V Collection synths, making it potentially more approachable for newcomers. However, Twin 3 lacks some of the more esoteric modulation options found in synths like Xfer Serum or Vital. In terms of sound, Twin 3’s analog modeling is on par with respected emulations like Diva, offering warm, rich tones that capture the essence of hardware synthesizers. Its filter section is particularly strong, rivaling dedicated filter plugins in terms of quality and flexibility. The effects section, while comprehensive, may not be as extensive as those found in all-in-one synths like Native Instruments Massive X or Spectrasonics Omnisphere. Where Twin 3 excels is in its balance of power and usability. Its modulation system is more intuitive than many competitors, making complex sound design tasks more accessible. The preset management system is also more advanced than what’s found in many other synth plugins, streamlining the process of finding and organizing sounds.

This plugin is best for:

• Sound designers seeking a versatile virtual analog synth with intuitive modulation capabilities
• Producers looking for high-quality, analog-style sounds with modern conveniences
• Musicians who appreciate a well-designed, user-friendly interface without sacrificing depth
• Beginners wanting to explore subtractive synthesis with a clear, approachable layout
• Professionals requiring a CPU-efficient synth plugin for large projects

FabFilter Twin 3 represents a significant evolution in the Twin series, offering a powerful yet accessible virtual analog synthesizer that caters to a wide range of users. Its redesigned interface strikes a balance between simplicity and depth, making it approachable for beginners while still providing the tools needed for complex sound design. The analog-modeled oscillators and filters deliver rich, warm tones that capture the essence of classic hardware synths, while the extensive modulation options and effects section open up vast sonic possibilities. The improved preset management system and intuitive modulation routing enhance workflow efficiency, allowing users to quickly find or create the sounds they need. While Twin 3 may not offer the most extensive oscillator waveform selection or the most advanced effects routing options, its strengths lie in its overall usability, sound quality, and well-rounded feature set. For producers and sound designers seeking a versatile, great-sounding virtual analog synth that’s both powerful and easy to use, FabFilter Twin 3 is a compelling option that deserves serious consideration.