For more than 50 years, Yamaha has been at the forefront of acoustic guitar design. Their success in the acoustic space inspired them to later create electric guitars (opens in new tab). Players from a wide range of industries are drawn to the company’s innovative attitude. And it results in a very outstanding selection of instruments, including steel-string flat top guitars, nylon-strung classical guitars (opens in new tab), and stage-ready acoustic electric guitars, making for an extremely strong list of possibilities for choosing the finest Yamaha acoustic guitars (opens in new tab).
Yamaha isn’t content to sit on its laurels, as evidenced by its groundbreaking APX line, as well as more recent inventions like the TransAcoustic guitars with built-in effects, A.R.E. (Acoustic Resonance Enhancement) treated woods, and CSF travel guitars (opens in new tab). So, when it comes to selecting our finest picks from the Yamaha acoustic line, the options are plentiful.
Yamaha is the perennial underdog when it comes to brand recognition in the marketplace while producing some of the best-selling acoustic guitars in the world. Actually, this is not a coincidence; for years, Yamaha has been known for producing musical instruments of the highest calibre. They don’t spend as much money on PR as Fender and Gibson do, and their design is often understated. Instead, Yamaha discreetly goes about its business, letting the calibre of its instruments represent the company.
Many musicians are aware that the highly successful Yamaha brand is the one to choose, especially when purchasing a new acoustic guitar. It’s easy to say that Yamaha acoustic guitars rank among the all-time favourites. The Yamaha corporation offers some of the top quality instruments at a lower price for better the value than you’d get stepping into your local guitar store. In reality, some of the artists who have played these guitars, including Peter Hayes, Chris Henderson, Michael O’Neal, the Osbornes, Glenn Pearce, and many others, may rank among your own all-time favourites. We believe you won’t have any trouble selecting the greatest Yamaha acoustic guitar, even though each of these musicians used various Yamaha guitars.
Yamaha FG-TA Transacoustic Guitar w/ Chorus and Reverb
- Amazing sounding reverb and chorus built into the Guitar with no need for external amplification or effects
- An actuator installed on the inner surface of the guitar back vibrates in response to the vibrations of the strings
- Three simple knobs let you adjust your amount of effects and the line out volume level
There is no other way to describe this TransAcoustic Dreadnought Acoustic-Electric Guitar but as a stunning piece of music equipment. It’s difficult to look at any other guitars without feeling let down because this one is made from mahogany wood with that burnished hue around the back and sides and that dark wood spruce top incorporated into the body for that Dreadnought shape.
Additionally, this guitar is fully acoustic with electronic capabilities, which means that on its own it has a great sound that can fill a bar or a street corner with excellent pop noise, folk chords, or plain old backwoods old timey jazz. However, with hookups, this guitar has a solid bridge and included SRT Piezo pickup. A SYSTEM70 trans acoustic preamp is even included in the electronics so that you may be heard everywhere you go. Three straightforward knobs on the pickups let you control the volume and the effects that come through.
Whether you play over a preamp or without one, the sound alone is astounding since this guitar has incredible reverb and chorus without the need for further amplification. If that weren’t enough, it has a 25.5-inch scale length that can play any tune, 20 frets, and a solid rosewood fingerboard with a gloss finish. The nut width is 1.69 inches. This is possibly the Best Yamaha Acoustic Guitar in 2022.
Yamaha FG830 Solid Top Folk Guitar
- Solid sitka spruce top
- Nato back & sides
- Rosewood fingerboard
The Yamaha FG830 featured a gorgeous fake tortoise pickguard, a traditional dreadnought body form and style, and even a tastefully bound body. The rosette was incredibly gorgeous and featured a striking pearloid inlay. Rosewood layers were used on the back and sides, and a solid spruce top was used in its construction. The one-piece top has a nice texture and a light tone.
Thanks to cutting-edge acoustic analysis technology created by Yamaha’s R&D division, the new FG offers a stronger tone in the mid-low range. Instead of relying on custom or hunches, Yamaha engineers used research and simulation to find the ideal bracing design. This investigation resulted in the creation of the new scalloped bracing design, a brand-new and optimum acoustic structure that preserves the top’s strength while producing the most sound possible from the Yamaha FGs.
The neck was composed of nato, much as the back and sides. We thought its lovely, slim profile was both comfortable and responsive. The rosewood fretboard was comfortable to hold in the fingers and had rolled edges. We also admired how well the fret finish was done. They were well flat, had no rough edges, and were well-polished. We were astounded by the incredible tones after playing the FG830 for a while. It was bright, had a tonne of punch in the mids, and had amazing sheen in the upper registers thanks to the solid spruce top.
This guitar is unquestionably ready for the studio and the stage. When we made the necessary adjustments, the tuning stability improved dramatically. We played for several hours without having to make any further pitch adjustments. The Yamaha FG830’s playability was another great point. It was quite pleasant to play and helped maintain precise intonation because to the smooth, low action.
Whether you’re a complete beginner or a working musician on a limited budget, the Yamaha FG830 is a wise choice. Since no other manufacture or model can match the tones in this price range, it provides exceptional comfort and playability. Any musician would be satisfied with this guitar due to the excellent manufacturing quality. This is one of the Best Yamaha Acoustic Guitars in 2022.
Yamaha SLG200S TBS Steel String Silent Guitar with Hard Gig Bag
- Steel Strings, Translucent Black Finish
- The SLG is the perfect instrument for practice, travel or stage use – any time an acoustic guitar just won’t do.
- Near-silent performance makes discrete practice simple
The Yamaha SLG200s Silent Guitar is the ideal choice if you’re seeking for a statement instrument. If nothing more, the silhouette alone would best define the body form as electrifying Spanish. Mahogany is used to make both the body and the neck. We discovered that it was really well-built despite lacking a top and a back.
A gorgeous rosewood fretboard completed the neck. Additionally, the fretwork was strong, had excellent, smooth edges, and had good polish on the crowns. It included an under saddle piezo as well as an SRT pickup system with onboard EQ. This allowed us to combine powered pickup with more organic-sounding acoustic tones to produce some very lovely tonal patterns. When amplified, the guitar’s design and these electronics did a fantastic job of maintaining tight tones. If you’ve ever played an electric-acoustic through a loud amp, you know how uncommon it is to not encounter any feedback from the piezo or the active pickup.
Additionally, the action was a touch higher than usual for Yamaha guitars. The build quality was simply outstanding overall, and the playability didn’t take anything away from that. The tuning devices themselves were in good working order and provided positive engagement with each turn. Tuning stability was as good as it gets. This guitar’s ability to disassemble and fit into the little gig bag it comes with is another special feature. This is fantastic news for guitarists who enjoy travelling with their instruments because it means that it can actually fit in the overhead bin of an aeroplane.
Without a doubt, the Yamaha SLG200S Silent Instrument has one of the oddest looks of any guitar on the market. If you chance to be one of those players, you might fall in love with the amazing boosted tones, the extreme portability, or simply having the option to practise quietly. It offers a very particular range of capabilities for a somewhat niche set of players.
Yamaha LL16-12ARE Concert Size Acoustic-Electric Guitar
- Hand-selected premium solid Engelmann Spruce top treated with A.R.E.
- A.R.E. (Acoustic Resonance Enhancement) is an original wood reforming technology developed by Yamaha
- Rosewood Back & Sides;Elixir Strings
Craftsmanship has been prioritised above all else for this Yamaha guitar. Given how reasonably priced this acoustic legend guitar is, it’s amazing that some of the best professional Japanese luthiers were able to create this dreadnaught design while using the finest materials.
Solid Engelmann spruce top, multi-layered reinforced neck, and ebony fretboard are all handcrafted components of this design. Although you won’t be able to reach the top notes on the 20-fret fretboard since this guitar has an extended 25.5-inch scale length, the solid rosewood full body will give your songs a darker sound and a longer, lower reverb. It also has electrical parts that may potentially add even more noise, such an SRT Zero impact passive pickup and an ebony bridge that would increase the vibrations the preamp could translate. Die-cast tuners with a 1.73-inch nut width and a neck block to support the neck joint for this remarkably long neck round out the instrument’s features. These qualities immediately distinguish your guitar as a dreadnaught.
When it comes down to just sound, this guitar has a balanced tone and responsiveness with the bass and treble complementing one another. All frets are hand-sanded to perfection, and the finished result is covered in a thin exquisite shine.
Yamaha AC1M Small Body Cutaway Acoustic-Electric Guita
- Solid Sitka Spruce top with scalloped bracing for a louder, richer acoustic sound
- Yamaha's original SRT piezo pickup provides premium plugged-in performance
- High comfort satin mahogany neck with a slim taper profile
Yamaha describes the AC1M as having a classic natural finish, although we’d argue that it has a little bit too much tint to be called natural. Despite the description, we thought it looked fantastic.
Solid Sitka spruce, a common material in the acoustic realm, was used to construct the top. Layered mahogany was the material of choice for the sides and back. It gave the instrument a really classic appearance, and as we all know, layered and laminated woods are much more resilient and don’t dramatically alter tone, which is fantastic news if you intend to perform with this guitar.
A three-piece mahogany neck with a narrow C-shaped contour was used in its construction. We discovered it to be quick and cosy, and when combined with the genuine rosewood fretboard, it made for an excellent performing neck. There were no sharp edges or sprouts, therefore the fretwork was good.
Although it had the most punch at the top end, we thought it had a wonderful tonal balance. It had a notably beautiful sound because of its compact body, especially when fingerstyle playing and strumming were used. It didn’t have the same volume and projection as the L-shape and dreadnought versions it competed against in this test, but it can still be amplified easily thanks to the System 66 electronics, which also feature an onboard EQ and piezo pickup. The AC1M had excellent playability. It has a pleasant low action and top-notch hardware, which contributed to exceptional overall reliability and tuning stability.
Players of all skill levels seeking for a high-quality guitar without breaking the budget will love the Yamaha AC1M. Even if it isn’t cheap, it is still fairly inexpensive when you consider everything you get for the money. It performs well with any musical genre, is cosy, and has wonderful sound. It is truly all-around.