Tracktion Dawesome MYTH is a highly versatile and innovative software synthesizer that pushes the boundaries of sound design. At its core, MYTH utilizes a unique approach to synthesis called “non-linear resynthesis,” which allows users to import audio samples and transform them into rich, organic sound sources. This hybrid synth combines elements of subtractive, FM, and granular synthesis with spectral processing and physical modeling, resulting in a wide range of sonic possibilities. MYTH’s interface is divided into several sections, including two main oscillators (called “Irises”), a modular effects chain, and an extensive modulation system. The synth’s workflow encourages experimentation and exploration, with a focus on intuitive knob-twisting rather than complex programming. With over 700 presets and a powerful randomization feature, MYTH provides both a solid starting point for beginners and deep sound design potential for advanced users.
Pros:
• Unique non-linear resynthesis engine offers fresh sound design possibilities
• Highly flexible modular architecture allows for complex signal routing
• Intuitive interface encourages experimentation and discovery
• Extensive modulation options with an easy-to-use system
• Wide range of high-quality effects, including some uncommon choices
• Full MPE support for expressive performance
Cons:
• Steep learning curve due to unconventional synthesis approach
• Resource-intensive, may strain older computer systems
• No AAX plugin format, limiting use in Pro Tools
MYTH’s feature set is both extensive and unconventional, centered around its innovative synthesis engine. The two main sound sources, called Irises, allow users to import audio samples or use the built-in waveforms as a starting point. These sources are then processed through a set of “Transformers,” which manipulate the spectral content of the sound in various ways. Users can adjust parameters like “Chaos,” “Sparkle,” and “Glitter” to create evolving, organic textures that go far beyond traditional oscillator shapes.
The synth’s modular architecture is another standout feature. Users can add up to six modules in each of the main sections (oscillators, filter, and effects), allowing for complex signal paths and sound layering. The available modules cover a wide range of synthesis and processing techniques, from traditional subtractive filters to more esoteric options like granular processors and physical modeling resonators.
MYTH’s modulation system is both powerful and user-friendly. It includes standard sources like envelopes and LFOs, but also more unique options such as a “Chaos” generator and a “Glide” module for smooth parameter transitions. The modulation routing is visually represented, making it easy to understand and adjust complex modulation setups.
The effects section in MYTH is particularly noteworthy, offering a diverse array of high-quality processors. Alongside staples like reverb and delay, users will find more unusual effects such as the “Atari Punk” module (inspired by the classic DIY noise-making circuit) and the “Glurp” effect for creating liquid, bubbling textures. These effects can be freely arranged in a pedalboard-style layout, allowing for creative signal chains.
MYTH also includes a flexible arpeggiator with various playback modes and a chord memory feature. The synth supports MPE (MIDI Polyphonic Expression), enabling nuanced, expressive performances with compatible controllers. A comprehensive randomization system allows users to generate new sounds quickly, with the ability to “freeze” certain parameters to maintain desired elements of a patch.
When compared to other software synthesizers, MYTH stands out for its unconventional approach to sound generation. While synths like Xfer Serum or Native Instruments Massive X excel in wavetable synthesis and modular routing, MYTH’s non-linear resynthesis engine offers a different paradigm altogether. It shares some similarities with granular synthesizers like Output Portal or Audiomodern Riffer, but MYTH’s spectral processing capabilities set it apart. In terms of its modular architecture and experimental sound design potential, MYTH could be compared to plugins like Kilohearts Phase Plant or Reason Studios Europa, though each has its own unique strengths and workflow.
This plugin is best for:
• Sound designers seeking new and unconventional synthesis techniques
• Electronic music producers looking for organic, evolving textures
• Film and game composers in need of atmospheric and otherworldly sounds
• Musicians interested in exploring the possibilities of MPE controllers
• Experimentalists who enjoy discovering sounds through intuitive tweaking
MYTH represents a bold step forward in software synthesis, offering a fresh approach to sound design that sets it apart from many of its contemporaries. Its non-linear resynthesis engine, combined with a flexible modular architecture and an extensive set of unique effects, provides a vast playground for sonic exploration. While the learning curve may be steep for those accustomed to traditional synthesis methods, the intuitive interface and powerful randomization features make it accessible to users of all skill levels. The synth’s ability to create organic, evolving textures and its support for expressive MPE control make it particularly well-suited for electronic music production, film scoring, and experimental sound design. However, its resource-intensive nature and lack of AAX support may limit its appeal for some users. Despite these minor drawbacks, MYTH stands as a powerful and innovative tool that pushes the boundaries of what’s possible in software synthesis, encouraging users to explore new sonic territories and unleash their creativity.