Nowadays, there are so many different types of music producing software that it’s simple to become perplexed. One of the most well-liked musical genres worldwide is still rock. And the best part is that making music at home is now quite simple. But even so, you should be aware of the prerequisites.
Decapitator by Soundtoys is a saturation/distortion plugin that mimics a variety of devices, including output tubes, channel strips, and tape recorders. It contains an EQ function that lets you modify the tone of the saturated signal and 5 different saturation modes. Decapitate your amp if the distortion isn’t quite cutting it. This one is one of the best distortion plugins available for amplifying saturation in your guitar tone.
In essence, parallel processing is sending a signal to a different channel to be compressed or warped. The dry signal is then combined with this channel to create a more harmonious distortion tone. Although the Decapitator works excellent for this, you must use it carefully. Decapitator is typically not used while mixing clean guitars for an R&B session since I still want the guitars to sound good. However, this plugin particularly shines for guitar songs in hard rock and heavy metal. I typically set it to have a very unpleasant sound with a lot of distortion. Then, when I hear a change in my mix, I’ll carefully dial the channel volume back up from zero.
The name of this plugin alludes to outrageous, excessive distortion. But with the appropriate settings, the Decapitator is also excellent at adding a tiny amount of color to the signal. I frequently use a modest Decapitator on the guitar bus to give things personality and bring them to the forefront of the mix.
You need the best equalizer because it’s usually the tool you utilize the most when mixing and mastering. You may obtain the best sound quality possible with FabFilter Pro-Q 3 in addition to a stunning, cutting-edge interface that is really simple to use. A demanding engineer can find everything they need in Pro-Q 3: superior linear phase operation, zero latency and the unique Natural Phase modes, Mid/Side processing, adjustable stereo EQ band placement, an intelligent solo feature, optional Auto Gain, and a built-in, fully programmable spectrum analyzer.
The Amsterdam-based company FabFilter is well regarded for producing some of the greatest plugins available. Its product line consists of a variety of basic mixing tools as well as imaginative effects and synths.
In a sea of hardware modeling and emulation plugins, Pro-Q stands out since it doesn’t try to replicate the layout, functionality, or audio of a hardware EQ. The workflow and usability of the GUI are prioritized in its design. The rich feature set is organized logically for simple usability. Pro-Q is highly optimized internally and can be utilized in zero-latency, linear phase, or natural phase modes. It is the perfect choice for use on every channel of a mix due to its zero-latency mode.
One of the top EQs is the FabFilter Pro-Q 3. Engineers who work in mixing, mastering, post-production, or recording all need Pro-Q in their plugin library. There is no comparison for the effective workflow, sound, depth, and usability.