Rob Papen Predator-3 is a powerful virtual synthesizer that builds upon the legacy of its predecessors. This third iteration combines a vast library of over 6200 presets with cutting-edge features, making it a versatile tool for contemporary music production across various genres. The redesigned user interface puts essential controls at the forefront, enhancing ease of use without sacrificing depth. Predator-3 integrates new features into its arpeggiator, adds multi-envelopes, and includes an audio follower input for sidechain control. The synth also incorporates analog-modeled sound code from B.I.T., ensuring high-quality audio for both analog-style and hybrid wavetable sounds. With its blend of user-friendliness and advanced sound design capabilities, Predator-3 aims to be a go-to synthesizer for producers and musicians seeking inspiration and sonic versatility.
Pros:
• Extensive library of over 6200 high-quality presets
• Redesigned, intuitive user interface with essential controls readily accessible
• Improved arpeggiator with advanced features and multiple play modes
• Integration of analog-modeled sound code for enhanced audio quality
• Versatile sound design capabilities suitable for various music genres
Cons:
• Potential audio popping issue reported in the initial release
• Preset organization could be more intuitive for quick sound selection
Predator-3 boasts an impressive array of features that cater to both novice users and experienced sound designers. At its core are three oscillators with sub-oscillators, offering a wide range of waveforms including subtractive analog-modeled, additive spectrum, and user-defined spectrum options. Each oscillator includes dynamic waveform morphing and a spread feature for creating detuned, fuller sounds. The synth provides various audio modulation options in oscillators 2 and 3, along with diverse routing possibilities to the filters.
The filter section comprises two analog-modeled filters with 38 different types and multiple routing options. A pre-filter distortion is available for Filter-1, adding grit and character to the sound. An additional high-pass filter with resonance control allows for further sound shaping. The amp section includes volume and velocity controls, panning, an EQ mixing preset menu, and 11 distortion modes for added versatility.
Predator-3’s arpeggiator is a standout feature, offering four separate arpeggiators (A, B, C, and D) with up to 16 steps each. Each step can be customized with various parameters such as tie, slide, tune, velocity, and more. The arpeggiator includes different play modes for combining the four arps, as well as additional modes like chord mode, sequencer mode, and modulating mode. A MIDI out function is also available, depending on the host software.
The synth includes a recordable XY pad with tempo-sync options and multiple movement destinations, adding an extra layer of real-time control and modulation. Three LFOs (pitch, filter, and free) offer speed control, tempo-sync options, and multiple waveforms, including user-defined waves from the oscillator section.
Predator-3 supports various play modes, including polyphonic, monophonic, legato, arp, and polyphonic MPE. It also features a chord memory control with up to 8 notes per preset, including panning and velocity adjustment. The effects section provides three effects in serial mode, with 34 high-quality effect types that can be modulated.
The bank manager allows for efficient preset organization, with options to order by date, search by category, and use a find function. Global settings and tuning options are accessible from the back panel, providing further customization possibilities.
Compared to similar plugins, Predator-3 holds its own against popular synthesizers like NI Massive, FM8, and Sylenth1. While some users find NI Massive and FM8 less inspiring, Predator-3 is often praised for its cutting-edge sound and versatility. It offers a more extensive preset library than many competitors, making it particularly attractive for producers seeking instant inspiration. The synth’s analog-modeled sound quality and hybrid capabilities put it in league with high-end virtual instruments, while its user-friendly interface sets it apart from more complex options like Zebra2. Predator-3’s feature set is comparable to that of Thor in Reason, but with the added benefit of being available as a standalone VST. Its sound quality and versatility make it a strong contender against other popular synths in its price range, offering a balance between ease of use and deep sound design potential.
This plugin is best for:
• Electronic and dance music producers seeking a versatile, contemporary sound palette
• Sound designers who appreciate both analog-style and modern digital synthesis
• Musicians looking for a large, high-quality preset library for quick inspiration
• Producers who value an intuitive interface without sacrificing depth and flexibility
• Artists working across multiple genres who need a single, versatile synthesizer
Rob Papen Predator-3 is a formidable virtual synthesizer that builds upon its predecessors’ strengths while introducing new features and improvements. Its vast preset library, intuitive interface, and powerful sound engine make it a valuable tool for both seasoned producers and newcomers to synthesis. The synth’s versatility shines through its ability to create a wide range of sounds, from classic analog-style tones to modern, cutting-edge textures. While the preset organization could be more intuitive, and there are reports of minor audio issues in the initial release, these drawbacks are outweighed by the plugin’s overall quality and capabilities. Predator-3’s combination of user-friendliness and deep sound design potential positions it as a strong contender in the crowded virtual synthesizer market, particularly for those working in electronic and contemporary music genres.