PSP Audioware PSP 285 is a powerful and versatile semi-modular delay plugin that builds upon the legacy of its predecessors, the PSP 84 and PSP 85. This advanced digital delay unit offers an extensive array of features, allowing users to create a wide range of delay-based effects, from simple echoes to complex rhythmic patterns and otherworldly soundscapes. The plugin boasts a user-friendly interface that encourages experimentation while maintaining a high level of control over the delay parameters. With up to 10 seconds of delay time per channel, a comprehensive modulation section, flexible filtering options, and a built-in reverb module, the PSP 285 provides audio professionals with a robust toolset for shaping and manipulating sound. The plugin’s semi-modular architecture allows for intricate signal routing, enabling users to craft unique and innovative delay effects tailored to their specific needs.
Pros:
• Extensive feature set with semi-modular architecture for creative sound design
• High-quality 64-bit floating-point signal path for pristine audio processing
• Flexible routing options and multiple filter types for precise sound shaping
• Built-in reverb module adds depth and dimension to delay effects
• Intuitive interface encourages experimentation while maintaining ease of use
Cons:
• Steep learning curve for users unfamiliar with semi-modular designs
• May be overkill for those seeking simple, straightforward delay effects
PSP 285 boasts an impressive array of features that set it apart from many other delay plugins on the market. At its core, the plugin offers up to 10 seconds of delay time per channel, with both pre-delay and main delay sections. The continuous delay time control allows for smooth transitions between different delay times, enabling creative effects such as pitch shifting and time-stretching.
The plugin’s semi-modular architecture is a standout feature, providing users with extensive routing options for crafting complex delay effects. Cross-channel feedback and independent channel settings allow for intricate stereo delay patterns, while the channel link mode ensures cohesive processing across both channels when desired. The PSP 285 also offers a unique Mid-Side (M/S) operating mode in addition to the standard Left-Right (L/R) stereo configuration, providing even more flexibility in spatial processing.
The modulation section is particularly noteworthy, featuring a tempo-synced LFO and an envelope follower that can be mixed in any proportion. With six click-free LFO waveforms and adjustable offset and phase spread, users can create everything from subtle movement to wild, evolving delay effects. The envelope follower offers a wide selection of control signals, allowing for dynamic, input-responsive modulation.
Filtering is another area where the PSP 285 excels, offering 17 different filter types with adjustable cutoff and resonance. The flexible routing capabilities of the filters allow users to shape the tone of the delayed signal at various points in the signal chain, from subtle coloration to dramatic timbral shifts. Additionally, the plugin includes a drive algorithm with both hard and soft saturation modes, perfect for adding warmth and character to the delayed signal.
The inclusion of a multi-algorithm reverberation module is a significant bonus, featuring a variety of reverb types including springs, plates, and various spaces. The reverb can be positioned flexibly within the signal chain, allowing for creative layering of delay and reverb effects. This integration of reverb within the delay plugin streamlines the workflow and opens up new possibilities for spatial processing. Other notable features include delay gating for precise control over echo tails, wet signal ducking to maintain clarity in dense mixes, and a global preset system that allows users to apply mixer settings across different presets. The plugin also supports sample rates up to 384 kHz, ensuring compatibility with high-resolution audio workflows.
When compared to similar plugins, the PSP 285 stands out for its depth and flexibility. While many delay plugins offer basic modulation and filtering options, few provide the level of routing and sound shaping capabilities found in the PSP 285. Its semi-modular architecture puts it in a class with high-end delay units like Unfiltered Audio’s Sandman Pro or Plugin Alliance’s Repeater, but with a more intuitive interface that bridges the gap between simplicity and complexity. The built-in reverb module is a feature not commonly found in dedicated delay plugins, setting the PSP 285 apart from competitors like FabFilter’s Timeless 3 or Valhalla’s Delay. This integration allows for more cohesive spatial effects without the need for additional plugins. In terms of sound quality, the PSP 285 holds its own against boutique delay plugins known for their analog emulations, such as Soundtoys’ EchoBoy or Universal Audio’s EP-34 Tape Echo. However, the PSP 285 offers significantly more flexibility and modern features, making it suitable for a wider range of applications.
This plugin is best for:
• Sound designers seeking a versatile tool for creating complex, evolving delay effects
• Music producers looking for a high-quality delay with extensive modulation and filtering options
• Mix engineers who need precise control over spatial effects in their mixes
• Electronic musicians exploring experimental soundscapes and rhythmic patterns
• Film and game audio professionals requiring creative delay and reverb combinations
PSP 285 represents a significant evolution in digital delay processing, offering a powerful and flexible toolset for audio professionals across various disciplines. Its semi-modular architecture and extensive feature set provide virtually limitless possibilities for sound shaping, from subtle enhancements to radical transformations. While the plugin’s complexity may be daunting for beginners, its intuitive interface and well-designed presets make it accessible to users of all skill levels. The integration of high-quality reverb and versatile filtering options elevates the PSP 285 beyond a simple delay unit, positioning it as a comprehensive spatial effects processor. For those willing to invest the time in exploring its capabilities, the PSP 285 proves to be an incredibly powerful and rewarding tool, capable of producing everything from vintage-inspired tape echoes to cutting-edge, experimental soundscapes. Its ability to seamlessly blend classic delay techniques with modern digital processing makes it a valuable addition to any audio professional’s plugin collection, offering a perfect balance of versatility, sound quality, and creative potential.