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Moog Mariana Review

Moog Mariana is a dual-layer software synthesizer plugin designed primarily for bass sounds, though capable of much more. Drawing inspiration from classic Moog hardware like the Taurus, Minitaur, and Model D, Mariana combines two identical synth engines, each featuring dual oscillators, sub-oscillators, multi-colored noise generators, and both high-pass and low-pass filters. The plugin boasts an extensive modulation system with three LFOs, multiple envelopes, and random generators per layer. Mariana’s interface is divided into five pages, covering oscillators, filters, modulation, and output, with a final summing mixer that blends the two synth layers and applies effects. The plugin supports VST3, AU, and AAX formats on both Windows and macOS, with a separate iOS version available. Mariana aims to deliver the iconic Moog bass sound in a modern, flexible package, offering deep sound design possibilities while maintaining an approachable interface.

Pros:

• Rich, fat Moog-style bass tones with impressive depth and punch
• Extensive modulation options allow for complex, evolving sounds
• Dual-layer architecture provides immense sonic possibilities
• Built-in effects and compression simplify workflow
• Virtual CV system integrates well with Moog’s Moogerfooger plugins

Cons:

• Interface can feel cramped and requires frequent page switching
• Limited to subtractive synthesis, lacking more modern sound design tools

Mariana’s feature set is comprehensive, starting with its dual-layer architecture. Each layer contains two main oscillators offering sine, triangle, sawtooth, and a unique “sharktooth” waveform. These are complemented by a sub-oscillator and a multi-colored noise generator, providing a solid foundation for bass-heavy patches. The oscillator section also includes FM capabilities and a Spread control for stereo widening. The filter section is equally robust, with both high-pass and low-pass filters per layer. The low-pass filter emulates the classic Moog ladder filter, complete with self-oscillation and overdrive. A separate filter for the sub-oscillator allows for precise control over the low end.

Modulation is where Mariana truly shines. Each layer boasts three LFOs, dedicated envelopes for amplitude and filter, a modulation envelope, and two random generators. The modulation matrix is extensive, allowing for complex routing and sound shaping. This depth of modulation options sets Mariana apart from many other bass synth plugins.

The output section includes layer-specific effects (delay for layer 1, chorus for layer 2), saturation, and a global compressor. These built-in processors allow for polished sounds straight out of the plugin. The summing mixer provides fine control over how the two layers blend, including independent panning.

Mariana’s virtual CV system, which allows seamless integration with Moog’s Moogerfooger effect plugins. This creates a virtual modular environment within the DAW, expanding sound design possibilities. The plugin also includes over 200 presets, showcasing its versatility beyond just bass sounds. A touch-sensitive on-screen keyboard is available in the standalone version, which is particularly useful for iOS users.

While the interface can feel cramped at times, necessitating frequent page switching, it remains relatively intuitive. The built-in effects and compression are welcome additions, streamlining the process of achieving polished sounds. Mariana may not appeal to those seeking cutting-edge synthesis techniques, but for users after that classic Moog character with modern flexibility, it delivers in spades. Its price point may give some pause, but the sound quality and depth of features justify the investment for many.

Compared to similar plugins, Mariana stands out for its dual-layer architecture and extensive modulation options. While plugins like Synapse Audio’s The Legend or Native Instruments’ Monark focus on emulating specific Moog hardware, Mariana takes a more expansive approach. It combines elements from various Moog instruments into a new, flexible package. In terms of sound, Mariana delivers the fat, punchy bass tones expected from a Moog-branded product. It competes well with dedicated bass synths like Spectrasonics’ Trilian or Plugin Alliance’s bx_oberhausen, offering a focused but versatile toolset for low-end sound design. Where Mariana may fall short is in more modern synthesis techniques. Plugins like Xfer Records’ Serum or Native Instruments’ Massive X offer wavetable synthesis and more contemporary sound design tools, which Mariana lacks in favor of its classic subtractive architecture.

This plugin is best for:

• Producers seeking authentic Moog-style bass sounds
• Sound designers who appreciate deep modulation possibilities
• Musicians looking for a versatile subtractive synth with a focus on low-end
• Users of other Moog software who want to leverage the virtual CV system

Moog Mariana successfully translates the coveted Moog sound into a flexible, powerful plugin format. The dual-layer architecture and extensive modulation options provide ample room for sonic exploration, while the familiar subtractive synthesis workflow keeps it accessible to users of varying experience levels. The plugin’s focus on bass tones is evident in its rich, full-bodied sound, but it’s capable of much more, from leads to pads and effects. The integration with Moog’s Moogerfooger plugins via the virtual CV system is a standout feature, offering a unique ecosystem for Moog enthusiasts. Overall, Moog Mariana is a powerful tool for bass-centric sound design that stays true to its heritage while embracing the possibilities of software. It’s a worthy addition to Moog’s software lineup and a compelling option for producers and sound designers across various genres.