Jazz guitar is all about tone, and whether you’re comping or blowing, the key to getting the optimum tone is in your amplifier. While choosing the best jazz guitar for your style is critical, having the correct amplifier is also key.
This is why, in this post, we’ll take a deeper look at jazz amplifiers. Some of our favorite jazz guitar amps on the market today are featured in the chart below, and you can learn more about them in their individual evaluations. We also look at things to look for when purchasing a jazz amplifier. You should be able to confidently choose which amplifier is best for your jazz playing by the conclusion of it.
Table of Contents
Roland JC-120 Jazz Chorus 120-Watt Guitar Amplifier with Two 12-Inch Speakers
- Legendary flagship of the Roland Jazz Chorus series since 1975
- Historic “JC clean” tone and signature Dimensional Space Chorus effect
- Powerful 120-watt stereo amp with two 12-inch “silver cone” speakers
The Roland JC 120 Jazz Chorus offers world-famous tones as well as a clean, gleaming sound. The amp features two high-performance 12′′ speakers, each powered by a 60-watt amplifier, and produces a strong sound with a rich, lively full-range output. With the JC-120, Roland has built a famous guitar amplifier. This is the best guitar amp money can buy, with a high-quality build that will last a lifetime.
Roland was ecstatic when the first JC-120 arrived in 1975. The JC-120 was a technological leap forward in guitar amplifier design, with a look and sound unlike any other. The JC-120 is still in high demand by guitarists all over the world forty years later. The JC has achieved a legendary reputation among amp connoisseurs the world over, having remained unchanged from its initial specification. Roland’s whole line of guitar and bass amplifiers, from the CUBE to the AC- and D-Bass series, now carry this rich heritage.
The JC-120 is a complete classic guitar amp with the most dependable construction that has remained unchanged since its original specification. For Jazz ambient, the JC-120 has a superb taste and finesse. It is unlike anything else in terms of appearance and sound. It’s such a great amplifier that it’s the forerunner of various Roland amplifier lines, including the AC-, D-Bass, and CUBE series. Due to its well-known tones, vibrato, and built-in reverb, the JC-120 stands out from the competition. It’s known for its clear, bright sound and true-stereo chorus. This fantastic amp has two input channels, one for standard sound and the other for effect sound. Authentic spring reverb, three-band EQ, distortion, and built-in vibrato are all included in each of them. This is the Best Jazz Amp in 2023.
Peavey Classic 30 112 Guitar Combo Amp
- Genuine Spring Reverb with level control
- Pre- and post-gain controls on lead channel
- External speaker capability
The Peavey Classic 30, also known as the “poor man’s Twin,” has been praised by tone masters for decades. For the past 55 years, Peavey has been producing high-quality amplifiers in Meridian, Mississippi. The Peavey Classic 30 offers all the huge, beautiful clean tones you could want at an economical price.
The Peavey Classic 30 is a combo amp with a single 12″ Celestion Midnight 60 Speaker with a power output of 30 watts. Three 12AX7 preamp tubes and four EL84 power tubes are used in the Classic 30. The Peavey Classic 30’s signature tone and power come from this tube combo. The Peavey Classic 30 has a single channel with a single 14″ input jack and pre and post gain controls. The single channel of the Peavey Classic has a three-band equalizer for bass, midrange, and treble control, as well as a boost switch for when you need that additional boost. The Peavey Classic is finished off with a real spring reverb box and a footswitch.
Overall, the Peavey Classic 30 is an excellent choice for jazz guitarists searching for a high-quality amp that won’t break the bank. I own a Peavey Classic 50, which is a little larger, 212 version of this amp, and I can confidently state that it is the best amp I have ever owned, and it has shown to be a reliable companion and partner in a variety of performance and recording circumstances. This is the Best Jazz Amps in 2023.
Fender George Benson Hot Rod Deluxe 40-Watt 1×12-Inch Combo Guitar Amplifier
- 40 Watt All Tube Amplifier
- A Jensen C12K 100-Watt Speaker
- Controls:Presence, Reverb, Master Volume, Middle, Bass, Treble, Drive Select Switch, Drive Volume, Bright Switch
The Fender George Benson Hot Rod Deluxe is a 40-watt combination amplifier by Fender. It has a 12-inch Jensen C12K speaker and an all-tube amplifier. Two 6L6 tubes are used in the power amp, and two 12AX7s and one 12AT7 tube are used in the preamp section of the George Benson Hot Rod Deluxe. Because this is a George Benson trademark model, you can expect an incredibly clean, jazzy tone from this amp. However, because Fender aims to suit all types of guitarists, this amp also contains an Overdrive channel.
Two guitar inputs, Normal/Bright switch, Volume control knob, “More Drive” push button, Drive control knob, Treble, Middle, and Bass control knobs, Channel select push-button, Master, Reverb, and Presence control knobs, Preamp Out, Power amp in, Footswitch port, Standby switch, and Power switch are on the amp’s control panel, from left to right. A two-button footswitch and a fitting cover are included in the purchase of the amp.
This amp would be a perfect choice if you’re seeking for the best jazz amp, one that can supply you with gorgeous clean tone. It was created via the collaboration of two legends, Fender and George Benson! Also, if you’re the type of musician who likes to add drive to his tone, this amp can do that as well! This is a fantastic amp — one of the best for jazz!
Fender Blues Junior IV 1×12″ 15-watt Tube Combo Amp
- 15 Watts
- Celestion 12" A-Type speaker
- Preamp circuit modified for increased fullness
The Fender Blues Junior IV delivers stunning clean tones with the added benefit of being a light and portable amp that’s easy to tote between performances. The Blues Junior was first released in 1995 and has seen multiple revisions since then, with the fourth incarnation keeping the cabinet style and the yellowed silver glitter grille cloth from the 1960s. The Fender Blues Junior IV is a great choice for transitioning from stage to home because it works well with pedals and has a 15W output. This solid state amps is ideal for musicians of all styles due to the vast range of tones it generates.
This jazz guitar amp has a lot to offer in terms of sound quality and performance, and it works well in a variety of musical situations. The Fender Blues Junior IV is one of the best jazz guitar amps available. It’s a lightweight, compact amp that works with pedals and offers nuanced, rich sounds.
Their 15-watt, 1 x 12-inch Blues Junior IV “Fender discovered a way to improve on one of the most popular all-tube amplifiers of all time with the combo. The same easily giggable size, pedal-friendly character, and optimum loudness that have made the series so successful are still present. However, the new Celestion A-type 12 has a revised preamp for a wider tone “The Fender Blues Junior IV is destined to become a legend in its own right, thanks to its improved speaker, smoother-sounding reverb, and trendy aesthetics.
For years, musicians of different types and genres have relied on Fender Blues Junior all-tube combo amplifiers. They can fit into any arrangement thanks to their ability to coax American cleans and thick drive from their EL84 power sections. They’re also fantastic for guitarists who like to use effects to get their tones. The way Fender put the ideal amount of power into a combo that is economical, lightweight, compact, and exceedingly easy to gig with is possibly the most appealing aspect of the Fender Blues Junior IV and earlier variants.
Fender Champion 40 – 40-Watt Electric Guitar Amplifier
- All the tonal versatility you can handle in a small package with clean and overdriven tones, British and modern amp voicings and various effects...
- Straight forward controls such as "Voice" and "FX Select" allow you to dial in your sound with the ease of just turning a knob.
- Jam along with your favorite tracks by simply plugging your MP3 player into the Auxiliary input and you instantly become part of the band and /or...
For those wanting for a lightweight and cheap Combo with vintage Fender tones, the Fender Champion 40 is a perfect choice. You receive the best Fender amp with two channels, 40 watts of power delivered through a Fender 12′′ Special Design speaker, and customizable voicing for a world of new sounds.
You may pick between traditional clean tones and a full range of built-in effects like Chorus, Tremolo, Vibratone, Reverb, Delay/Echo, and more with the Fender Champion 40. There’s also a tap button for setting Delay time and Tremolo speed, as well as 1 x 1/8′′ stereo aux input, 1 x 1/4′′ instrument input, and 1 x 1/8′′ stereo headphone jack.
It’s adaptable and may be utilized for a variety of rock genres, including blues, jazz, metal, and country music. It has a lot of parameters, so you can tweak it to get the sound you want. It’s lightweight at 10.4kg, making it ideal for usage at home or in some of your gyms.
Line 6 AMPLIFI 75 Guitar Combo Amplifier
- Simple and Clean guitar amp build for the living room
- Wireless audio streaming and tone editing over Bluetooth , 2 mid-frequency drivers,2 high-frequency drivers, 1/4 Inches Guitar input and 1/8 Inches...
- AMPLIFi delivers recommended tones to match your music. 4 onboard presets (access unlimited presets via app)
Line 6 has been a pioneer in the field of modeling amplifier technology for decades. Their early effects models, particularly their iconic green delay, fully transformed the scene for multi-effects pedals, and their Helix multi-effects unit completely changed the environment for multi-effects pedals. The AMPLIFi is an amplifier that incorporates Line 6’s award-winning modeling technology.
The AMPLIFi is a 75-watt combination amplifier that features a single 8-inch speaker. To tackle the complexities of the modeled sounds, the AMPLIFi incorporates two high frequency drivers and two mid-range frequency drivers in addition to the single speaker. Instead of tubes, the AMPLIFi uses solid-state circuitry.
The AMPLIFi 75’s key selling point is its modeling capabilities. Choose from 200 different amps, cabinets, pedals, and effects processors, and create unlimited chains of combinations for an unrivaled tonal feast with the AMPLIFi. With a paired remote app for Android, iOS, Mac, and PC, the AMPLIFi is ready to rock. You can dial in your precise tone with the straightforward controls in the AMPLIFi app and remotely control your sound from anywhere in the home! Amazing! The AMPLIFi is also equipped with Bluetooth wireless speaker technology, allowing you to listen to all of your favorite tunes while jamming along to backing tracks or other recordings!
Overall, the AMPLIFi 75 Modeling Guitar Amplifier is an excellent alternative for jazz guitarists looking to broaden their tonal palette. The extensive range of modeled amps, cabinets, and effects is appealing to the imaginative jazz guitarist, and the built-in Bluetooth speaker is a great teaching aid for private lessons.
Fender 65 Princeton Reverb
- 15-watt all tube amp (including tube rectification) offers stellar tone for small stages and the studio.
- 1-10" Jensen C-10R, 8 Ohm, 40 Watt Speaker with Ceramic Magnet
- Legendary long-spring Fender reverb and tube vibrato.
The Fender Princeton Reverb is the finest choice for you if you want a Fender all-tube amp that’s great for the stage, studio, or practice compared to a solid state amp. When you obtain an all-tube combo with 15 watts of power and a specifically voiced Jensen 10′′ speaker, you’ll be able to generate some incredible guitar tones.
You may use that unique Princeton Reverb clean tone to play your favorite Jazz chords, or you can use your pedals and effects to create your own voice. This incredible combination amp features onboard effects such as vibrato and reverb. The Princeton Reverb Amp by Fender in 1965 is a true all-tube generation of the original work of art. One 10″ Jensen Special Design speaker delivers 12W using the Princeton Reverb enhancer.
This single-channel enhancer’s most popular features are two sources of information, reverb and vibrato effects with an inbuilt footswitch, and Treble, Bass, Reverb, Speed, and Intensity control handles. A trio of 12AX7s, a 12AT7, two Groove Tubes 6V6s, and a single 5AR4 rectifier tube make up the cylinder supplement. The Fender Princeton Reverb combination is wrapped in thick vinyl, and the reverb amp is shipped with a vinyl dust cover.
Blackstar HT Club 40 1×12 MKII
- 40-watt 2-channel All-tube 1x12" Guitar Combo Amplifier with EL34 Power Tubes
- Infinite Shape Feature
- 2 Voice Switches
Blackstar is a brand that is relatively new to the guitar amplifier industry. Since 2007, Blackstar, an English company based in North Hampton, has produced high-quality amps in a variety of configurations and designs. A powerful amp for live, practice, and recording situations is the Blackstar HT Club 100. A combination amp with a single 12″ Celestion Seventy 80 speaker and 40 watts of output, the Blackstar HT Club 100. For that traditional British tone, the HT Club 100 uses two 12AX7 preamp tubes and two EL34 power amp tubes. The Vox AC15 can be compared to these aspects. The Blackstar HT Club features two footswitchable channels: a clean channel with sparkling highs and crisp, defined lows, and an overdrive channel with everything from warm crunch to distorted fusion mayhem.
On each of the Blackstar’s two channels, there is an equalizer with three bands for overdrive and two bands for clean. A level control and Dark/Light reverb switch are also included with the HT Club 100. The HT Club also has a variable power control that allows the amp to be switched between 40 and 4 watts for quieter practice environments.
Overall, the Blackstar HT Club 100 is a fantastic option for the jazz guitarist who performs regularly. In terms of size and power, the Blackstar HT Club 100 is comparable to the Fender Hot Rod Deluxe. Both amps are ideal for recording, practicing, and rehearsing since they have the power to fill a sizable space with sound reinforcement. Both amps offer excellent clean tones that are tube-powered and have lots of headroom and dirt if you want it.
Fender George Benson Hot Rod Deluxe 40-Watt 1×12-Inch Combo Guitar Amplifier
- 40 Watt All Tube Amplifier
- A Jensen C12K 100-Watt Speaker
- Controls:Presence, Reverb, Master Volume, Middle, Bass, Treble, Drive Select Switch, Drive Volume, Bright Switch
Hot Rod Deluxe by George Benson! This amp was conceived and built in partnership with George Benson, which should come as no surprise. This George Benson Hot Rod Deluxe combination is rated at 40 watts. As a portable amp, it has a Jensen C12K 100-watt speaker, two 12AX7 tubes, and one 12AT7 tube. The nicest thing about this model is that the speakers provide more bass, volume, and projection than a standard Hot Rod Deluxe. Because of the lovely tone it generates, the clarity of the sound, and the way it makes your stage presence seem even more imposing than it already is, we recommend it for jazz performers.
Fender Twin Reverb 85-Watt 2×12-Inch Guitar Combo Amp
- 85 watts of the purest, loudest, cleanest, most legendary guitar tone on the planet.
- Two 12” 8-ohm Jensen C-12K speakers offer incredible clarity and note separation.
- Legendary all-tube Fender reverb offers spacious ambience and surf-worthy splash and crash.
The Fender Twin Reverb, which has a built-in solid-state rectifier, is a popular choice for performers who want the power of a Fender Twin with the warm, clean tone that jazz guitarists like rather from the harsh, distorted sound that rock guitarists prefer.
The Fender Twin Reverb is an excellent studio amp or a terrific choice for a gig in a big venue where you need a lot of volume but don’t want to sacrifice your clean tone. George Benson, Gabor Szabo, Kenny Burrell, Mike Stern, and Wes Montgomery are notable players looking for the best jazz guitar amplifier.
AER COMPACT 60/4 ACOUSTIC AMPLIFIER
- powerful twin-channel acoustic guitar amplifier, carefully designed to deal with piezoceramic pick-ups, microphones and any sort of line signal,...
Many jazz musicians, notably Russell Malone, choose the AER compact 60 as their go-to amp. This amp is designed for acoustic instruments, and when used with an archtop guitar, it can provide a deep, warm, ‘wooden’ tone.
This amp is without a doubt the best acoustic jazz amp a musician can get their hands on, even if it may need a little financial sacrifice to get there. More than a jazz performance, the tone is focused on generating a sound that suits what an acoustic guitar needs, although while playing acoustic jazz, this is sort of what you want. It still has a wonderful dynamic response and punchy warmth, allowing you to delicately meander about the fretboard as well as shred away with a pick over a double bass and fiddle accompaniment.
Roland JC-40 Jazz Chorus 40-Watt Guitar Amplifier with Two 10-Inch Speakers
- Legendary Roland “JC clean” tone in a small, gig-ready combo amp
- Stereo 40-watt amp with two 10-inch speakers
- Stereo input enables players to get true stereo sound with modelers and stereo effects pedals
In 1975, Roland introduced the JC Jazz Chorus amplifier family, which soon changed the landscape for clean electric guitar tones. Jazz guitarists choose the JC series because of its dependability, stereo inputs, and ability to blend well with effects pedals. The Roland JC-40 is a smaller version of the original JC-120 and a fantastic addition to Roland’s JC amplifier family.
A solid-state combo amplifier, the Roland JC-40. This indicates that the amplifier does not use vacuum tubes at any stage in its circuitry and that the circuit board and speakers are housed together in one enclosure, as opposed to a stack alignment, which separates the circuit board and speakers. The JC-40 has two 10″ speakers with a total power output of 40 watts. The Roland JC-40 is well-known for its onboard effects. Chorus was a brand-new effect in 1975, and it was only available in a few stompbox pedals. Roland revolutionized the amplifier industry by including a chorus effect element in the original JC-120. This decision paid off well, and the Jazz Chorus series remains one of the most popular jazz guitar amplifiers to this day.
The Roland JC-40 is an excellent choice for a jazz guitarist looking for a robust solid-state clean tone. The stereo inputs allow for pedal-based stereo effects, and the built-in chorus is fantastic. The JC-40 is considerably smaller than the original JC-120s, which makes transportation easier for the best jazz amplifier under $100.
Choosing the Best Jazz Amp (Buying Guide)
Size and Configuration
Before making a purchase, it’s crucial to think about the size and configuration of your jazz guitar amplifier. What will you use this amplifier for most frequently? Will you routinely travel to gigs and do performances? Will recording be your main focus? Or will you be practicing in a specific area that you might also use for lessons and other teaching activities? You should consider each of these things while making your choice.
These are all combo amplifiers, all of which are listed below. An amplifier that houses both its electronics and speakers in one unit is called a combo amplifier. Circuitry and speakers for the amplifier are kept apart in a stack configuration. The phrase “stack” refers to the arrangement of the amplifier circuitry, which is typically located in a smaller enclosure, on top of the amplifier speakers, which are typically placed in a larger enclosure.
Having the smallest amplifier possible makes the most sense if you want to perform frequently and travel to venues. By doing this, you can carry the amp to the stage without hurting your arms or back. A 1 x 12″ configuration is probably your best option if a tiny amp is simply not your thing.
Solid State Versus Tube
It is crucial to think carefully about whether you want tube or solid state circuitry in your jazz guitar amplifier. There are both solid state and tube amplifiers featured on this list because jazz guitarists work in both of these styles. Technically speaking, tube amplifiers use vacuum tubes to magnify the guitar’s signal, whereas solid state amplifiers use electronics. Guitarists constantly argue over which is the superior option. The innovators want one option while the traditionalists have one. Who is correct? Your decision is up to you.
ypically, the one sound in a tube amplifier can be overdriven to create a second drive channel. Solid state amps, on the other hand, may be adjusted to create practically any tone the maker wants. But which is superior? Which is better, the genuine thing or a simulation of it? The discussion goes on.
Once more, I advise you to pay attention to your favorite guitarist’s amp choices and then look find them in person to test them out before making a purchase. The way the notes feel when played makes a big difference to me in deciding between a solid state amp and a tube amp. A solid state amp typically feels more compressed and squashed, like a potato masher, but a tube amp frequently feels more responsive and alive.
Effects
The value of integrated effects should also be taken into account when choosing a jazz guitar amplifier. The responsibilities of a jazz guitarist are varied and ever-changing. The modern jazz guitarist must be adept at navigating a variety of musical spaces, from rich, powerful clean tones to radically modulated or distorted improvisations.
The amps on this list also cover a lot of ground. Some of these amplifiers rely exclusively on the consistency of their clean tone because they lack any built-in effects. Other amplifiers on this list represent significant advancements in digital modeling technology and have more effects than you could ever expect to use.
Speakers
The type and arrangement of the speakers should also be taken into account when buying a jazz guitar amplifier. The power of the amp is not necessarily predicted by the size of the speaker. For instance, despite only having a single 5″ speaker, the ZT Lunchbox Junior has enough power to support Julian Lage and Nels Cline’s duet guitar tour. The Fender ’65 Super Reverb, on the other hand, is packed with four 10″ speakers that produce so much sound that you probably won’t ever need to turn the master level up past 4.
Each speaker has their own unique traits, of course. Like all things guitar, the amp’s individual parts each leave their own distinct mark on the final product. Weber speakers, which sound different than Jenson speakers, are not like Celestion speakers.
Try to determine the amplifiers being used by your favorite jazz guitarists while you listen to their music. Look for interviews where they describe their equipment choices on YouTube or other websites. By investigating the tools your inspirations use, you can discover a lot about the particulars of each of these speakers.