Chorus pedals have fallen out of favor with guitarists for a time, but there are some compelling reasons why we’ve decided to produce this list of the greatest chorus pedals currently. Despite being chastised for its misuse in the 1980s, chorus remained significant for some guitarists, like Kurt Cobain and Omar Rodriguez-Lopez. Outside of live performance, the guitar effect remained a useful studio instrument, helping producers like Andy Wallace define their bass tones.
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Boss CE-2W Waza Craft
- Premium all-analog circuitry with bucket-brigade (BBD) delay line
- Rate and Depth knobs provide fine sound adjustment in both pedal modes
- Special edition Waza Craft pedal delivers the ultimate BOSS tone experience
The Boss CE-2W Chorus combines the chorus and vibrato effects of both the Best Chorus Pedals, Boss CE-2 and CE-1 pedals to provide chorus fans with the effects of their dreams. During the late 1970s and early 1980s, the Boss CE-2 Chorus and its larger brother, the CE-1 (together with the similar effect incorporated into the Roland Jazz Chorus amp) defined the sound of chorus price tag.
The CE-2W Waza Craft combines two Boss effects in one: the CE-2 and the CE-1, the mother of all chorus effects, including chorus and vibrato portions. The CE-2W is nearly identical to the original CE-2, with the exception of a mini three-way toggle switch for selecting the CE-2, CE-1 chorus, or CE-1 vibrato modes, a second 1/4-inch output jack (direct-only) for stereo chorus/vibrato effects, mode switch, and the Waza Craft logo embedded in the rubber on/off switch pad build quality.
The CE-2W’s adaptability is controlled via a little slider switch. The typical position for smooth CE-2 sounds is on the left, but move it to the centre for the CE-1’s signature swirl, and the right engages its full-on vibrato mode for genuine pitch-bending bliss. The noises are also as realistic as they can be, thanks to an all-analogue circuit that includes the crucial bucket brigade delay chips. That unmistakable thick, luscious, shimmering Boss chorus that we’ve all heard on a million legendary records from the likes of Rush, the Pretenders, and even Metallica – it’s the most perfect match we’ve ever encountered between an original product and its reproduction.
Boss CE-2W Waza Craft is the Best Chorus Pedal in 2023.
Dunlop MXR M234 Analog Chorus Pedal
- All-analog bucket-brigade circuitry
- Create classically lush, liquid textures
- Ultimate tone control
The Dunlop MXR M234 Analog Chorus employs bucket-brigade circuitry to provide luscious, liquid-rich textures that are difficult to achieve with a digital chorus pedal. Controls for rate, level, and depth, as well as knobs for cutting high and low frequencies, give you complete tone control.
The analogue chorus has a vintage vibe to it. It’s made with old-school bucket brigade electronics and produces a lovely warm, flowing tone. Furthermore, with level, pace, depth, low, and high function knobs, this pedal delivers unrivalled control. You may control how many choruses come through using the level knob. The rate controls the modulation speed, while the depth controls the chorus’s deep backbone. High and low can be used to adjust the sharpness of your overall tone and is effectively an EQ. T
This is easily one of the most attractive pedals on the market. It’s painted in a gorgeous indigo blue with a white marble look. An LED light signifies off and on; however, because it is quite bright, it may be a good idea to mellow it out with a sharpie if utilising it on stage. It has three jacks: input, mono, and through, and may be powered by a 9V DC battery or a 9V converter. The analog chorus pedals flexibility is unrivalled with an expression pedal. From deep 80s modulation to more powerful current tones, there’s something for everyone.
Dunlop MXR M234 is one of the Best Chorus Pedals in 2023.
Walrus Audio Julia V2
- RATE – The Rate knob allows you to set the speed at which the LFO sweeps....
- DEPTH – The Depth knob allows you to change the amplitude of the LFO....
- LAG – The Lag knob lets you set the center delay time that the LFO...
Walrus Audio is without a doubt one of the coolest companies in the business. They are well-known for producing pedals that not only sound great but also look fantastic. Their pedals feature some truly unique designs that will make your board the talk of the town. The Julia is a fully analogue, feature-packed chorus pedal with a plethora of chorus sounds. A Lag knob, in addition to the conventional Rate and Depth settings, allows the user to adjust the centre delay time from which the LFO effect modulates for varied amounts of “swing.”
The Julia’s front panel indicates a sophisticated pedal, but it’s actually quite easy. The mix knob lets you go from chorus to vibrato, and the waveform shape control is as simple as it gets; the lag control is the only intricacy. The lag parameter regulates the LFO’s centre delay period, allowing for more unique sounds. The Julia sounds fantastic because it’s entirely analogue, but it’s a little noisy – but that’s a little price to pay for great vintage tones.
The d-c-v (Dry, Chorus, Vibrato) knob, a blend control that varies the ratio of dry to wet signal supplied to the output, is another unique feature. Keep it at zero for no impact, low for slight variations, or high for all sorts of wacky chorus/vibrato combos.
There’s also a waveform switch that lets you choose between sine and triangle wave patterns, giving you complete control over the effect’s sweep, as well as entirely analogue circuitry for rate and depth, a blinking LFO LED for visual feedback, and true bypass power switching. Everything is encased in a lavender-hued box with a design as bizarre as the noises inside.
Julia analog chorus features two jacks, one for input and one for output, and Walrus has done an outstanding job of combining a gorgeous visual design with a robust, rugged structure, ensuring that she will survive a lifetime on the road. Julia analog chorus vibrato is not the cheapest, but if you are prepared to spend a little more, she will not disappoint you.
EarthQuaker Devices Sea Machine V3 Super Chorus Guitar Effects Pedal
- Intensity Controls Silent Relay-based Switching
- Guitar Chus Pedal with Animation
The Sea Machine V3 chorus pedal from EarthQuaker Devices allows you unprecedented control over its parameters. Sea Machine V3’s increased delay time, which uses EarthQuaker’s own digital-analog hybrid circuitry, provides you distinctive chorusing effects topped off with dramatic shimmer.
The Sea Machine V3 is built on a short digital delay line and includes controls for Animation, Dimension, and Depth. Shape, Rate, and Intensity dials allow you to construct and fine-tune your chorus effect from there. Improved circuitry for superior audio performance, broader range on practically every knob, and silent, relay-based switching distinguish this third-generation model of the Sea Machine. If you’ve ever chorused your guitar (or keyboard, bass, or whatever), you’re in for a treat when you plug in the Sea Machine V3 from EarthQuaker Devices.
The Animate knob on the Sea Machine V3 controls the delay time, while Dimension controls the degree of spatial regeneration and Depth controls the wet/dry signal mix. The Sea Machine V3’s LFO section has settings for Rate, Intensity, and Shape. Rate controls the oscillator’s speed, Intensity controls how much the delayed signal is modulated by the LFO, and Shape changes the waveform from a soft triangle to a harsh square wave. Even when the effect is turned off, an LED displays the LFO’s speed and form.
Sea Machine V3’s palette of standard and proprietary controls distinguishes it – and makes it eminently usable for everything from subtle warble and traditional Leslie effects to roller-coaster pitch bends, condensed arpeggiations, crazy alien soundscapes, and more! Your dry, all-analog signal is crystal clear and undisturbed when Sea Machine V3’s transparent buffer is active. Sea Machine V3 was developed by EarthQuaker Devices to work well with other pedals in your signal chain without distorting, lowering loudness, or causing mud. We prefer to use it after distortion pedals and before signal boosters at Sweetwater.
Fender Bubbler Chorus Pedal
- Switchable slow and fast speeds
- Independent rate and depth
- Wave toggle switch lets you choose sine and triangle waves
Using a Fender Bubbler Chorus to add complexity to your guitar tone is a definite way to do so. This flexible pedal gives a classic modulation effect a new lease on life by making it thick, wide, and rolling. Switchable slow and fast speeds, as well as independent Rate and Depth controls, allow you to dial in the right sound. The toggle switch lets you choose between standard sine and triangular waveforms.
The Sensitivity control allows you to adjust the modulation rate of the pedal based on your playing characteristics. The Bubbler Chorus has a unique sound that is built on an all-original Fender circuit. Guitarists looking for an all-analog, ultra-flexible chorus owe it to themselves to have a look.
The Bubbler Chorus is a clever analog design with switchable Slow and Fast speeds as well as Rate and Depth settings. In that sense, it’s akin to ramping between speeds on a Leslie rotating speaker. A Wave toggle allows you to choose between classic Sine and Triangle waveforms. Meanwhile, a Sensitivity control acts as a dynamic expression function, adjusting the modulation rate depending on how hard or soft you set it.
True bypass switching, stereo outputs, and the fun features that come standard on all Fender pedals, such as magnetic battery access chambers at the front and backlit LEDs, are all included. Overall, a worthy addition to the chorus pedal market from a business that knows what it takes to make legendary sounds.
Boss DC-2W Dimension C
- Dimensional Chorus Effects Pedal
- Iconic four-button preset interface, updated with reliable electronic...
- Premium buffer and enhanced bypass circuitry
The DC-2W recreates the DC-2 Dimension C, which strikes a balance between a chorus and a 3D audio expander, and is one of the most demanded reissues in Boss’s history.
The DC-2W’s four pushbuttons have a slight effect, but they may make any signal sound wider and richer – especially in stereo. A model of Roland’s SDD-320 Dimension D rack effect is included in this edition, which adds its own flavor of spatial broadening. The DC-2W could be the finest solution for you if you want the auditory effect and tonal thickening of typical chorus pedals but not the warble.
“Waza” is a Japanese word that means “art and technique,” and it’s a fitting moniker for BOSS’s revamped guitar effects pedals. Because the pedal collectors at Sweetwater have seen plenty of limited-edition stompboxes that aren’t much more than a paint job away from the originals, we’re blown away by what BOSS has done with the Waza Craft series. Waza Craft pedals sound like idealized versions of the originals, giving the same sonic character that made them famous, but with less noise and more consistent tone, even in their Standard modes. And the contrast between the Standard mode and the Custom mod is nothing short of amazing.
Chase Bliss Audio Warped Vinyl
The original Warped Vinyl was created to sound like an old vinyl record by combining digital and analog control. As a result of this style, the sound was incredibly colorful, dark, and chaotic. For some players, this was exactly what they wanted, but it was too difficult to integrate into their setup for others.
This resulted in a makeover known as the Hi-Fi edition. You gain a brighter, more transparent chorus with a much lower noise floor in return for dialing back the original’s peculiarities. In terms of tone, it’s less like a warped record, but the stereo chorus pedal is more versatile than a typical chorus pedal like bucket brigade circuit. Almost every aspect of the Warped Vinyl’s sound can be tweaked to taste because to its abundance of knobs and DIP switches. The wave-shaping, on the other hand, is the most important aspect of our thinking. With this, you may access a plethora of chorus effects, including those that are exclusive to this pedal.
TC Electronic Corona Chorus Pedal
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Look no further than TC Electronic Corona for a straightforward, simple-to-use, and most importantly, great-sounding chorus pedal. The Corona is a compact digital pedal with just four knobs – Speed, Depth, FX Level, and Tone – as well as stereo and mono ins/outs. It’s a pared-down (as least in appearance) version of the company’s famed – and far more expensive and involved – Stereo Chorus Flanger unit.
TC Electronic is a Danish company that is passionate about quality and pushing the frontiers of technology. Their Sentry noise gate pedal is a brilliant, cutting-edge product. Their pedals are often expensive due to the new technology they employ, but they are well worth the money if you’re willing to part with your cash.
The TC pedals have managed to cram exceptional quality and all of their technological prowess into a small package. The small chorus is only 1.7kg and takes up very little room on your board. The sound is incredible for a pedal of this size. These pedals have an extremely simplistic layout with only three function knobs: speed, depth, and FX Level. The Corona’s range is unrivalled, and TC’s SCF chorus is second to none, offering everything from warm, smooth shimmering to strong Leslie tones and all in between.
TriChorus (which combines three stereo choruses with varying offsets to generate what TC describes as a unique, very broad and lush chorus) and Stereo Chorus Flanger-style effects are also available via a three-way toggle. The third option makes use of TC’s TonePrint technology, which allows users to load “custom pedal-tweaks developed by top-performing guitarists” into the pedal through a USB connection, or create their own custom chorus effects from scratch using the free TonePrint Editor.
An optional buffered bypass mode prevents high frequency loss from long cable runs, Analog-Dry-Through maintains the integrity of the analogue dry signal path – even when the chorus effect is engaged – and a Kill-Dry feature removes the dry signal path for use with a parallel effects loop are among the other features.
It’s a ‘True Bypass’ pedal with an LED light to indicate on/off and two input/output connectors. The small size has a second benefit in that it makes it even more difficult to harm. The Corona is built solidly, and this, along with its compact size, makes it virtually unbreakable.
Donner Tutti Love Chorus Pedal Pure Analog True Bypass
- [Analog Chorus Pedal] Donner Tutti Love pedal reproduces the classic warm...
- [Flexible Chorus Pedal] Tutti Love offers easy in/out and an extra LEVEL...
- [Durable Guitar Pedal] Aluminium-alloy classic, stable and strong.
The Donner Tutti Love is an all-analog chorus effects pedal that delivers what we’ve come to expect from this brand: great sound at a low price. The power of this sky blue tiny pedal is contained within a sturdy and durable aluminium housing, ensuring a long life under heavy use.
When it comes to modalities, you can choose between regular and treble. Level, tone, and comp are all controlled by knobs. It has a full-metal casing composed of an aluminium alloy that not only looks amazing but also assures that it is durable and long-lasting. The Tutti Love is billed as a “mini-pedal” by Donner, which implies it’s a lot smaller than your ordinary pedal.
The Donner Tutti Love Chorus pedal is one of the Best Chorus Pedals. It is a terrific addition to your rig that provides you a lot more than you pay for. Its compact size saves room on your pedalboard, and its incredible chorus effect will dazzle your audience at your next show.
It contains all of the necessary and important controls for a chorus effect, and it sounds amazing in any context, making it incredibly adaptable and allowing you to achieve any chorus vibe you desire. It boasts excellent electronics, complete bypass, and a solid build. I definitely recommend this pedal for guitar players on a budget or those who simply want to check out a fantastic Donner product because of how affordable it is and how nice it sounds.
Electro-Harmonix Neo Clone Analog Chorus
- Pedal board friendly foot print
- Total analog design
- Sultry sonic texture with depth control
The Small Clone chorus has long been one of EHX’s most beloved stompboxes, thanks to Kurt Cobain. The Neo Clone uses the same fundamental circuitry as the Small Clone, with the electronics “massaged and adjusted to improve accuracy and give higher acoustic attributes,” according to EHX.
Although some EHX units have a well-deserved reputation for being over-the-top sound generators, more delicate tones are conceivable. That’s absolutely the case here: any clear tone will benefit from setting the pace to 10 o’clock with a light depth. With plenty of warm vintage shimmer on tap, the heavier depth setting is more in the Andy Summers and classic Alex Lifeson zone. It’s as close to the original Small Clone as possible without being too similar, and it should fit snuggly onto your existing pedalboard.
This pure analogue design has been massaged and tuned for accuracy and improved sound qualities, using a high-quality bucket brigade chip and the same iconic Small Clone circuit. The EHX Neo Clone provides the sound of the Classic Small Clone at a price that blows the competition out of the water.
Ibanez Chorus Mini Pedal
- Mini format pedal 100% Analog circuitry Speed, Depth and Level controls...
- The mini-pedal market has been booming the past few years, so Ibanez felt...
- Made in Japan, the CSMINI features a smaller Depth knob and a significant...
The Ibanez Chorus Mini is a smaller guitar than most of the others on this list, but it has a rich, multidimensional sound. The Chorus Mini can approximate the sound of a well-recorded Leslie speaker when the rate and depth settings are set correctly.
There are no harsh artifacts or metallic out-of-phase sounds to be found here — just a smooth, rich analog chorus. The Chorus Minis is capable of producing incredible tones, which is incredible for a pedal of this size and cost. Overall, it’s an excellent option for guitarists who need a good-sounding analog chorus but don’t have a lot of space or money.
Boss CH-1 Stereo Super Chorus
- Chus Effects Pedal f Guitar Keyboard with Stereo Outputs
- Depth Controls
- Effect Level
Boss pedals are the brand that guitarists turn to when they need gear that will accomplish exactly what it’s designed to do at an exceptionally high level. The CH-1 Stereo is no exception, being a terrific “working man’s” pedal with high-quality output and the nearly indestructible construction that Boss products are known for.
Level, EQ, Rate, and Depth are the four knobs that control the functionality. When it comes to the chorus, they’re all conventional, and they operate wonderfully in classic Boss way, a no-frills offering of knobs to manage modulation and create your sound.
Unlike many of the other pedals on this list, the CH-1 Stereo is a digital chorus pedal, which is something to keep in mind if you’re looking for something with a vintage feel. Check out the Chorus Ensemble CE-5, the CH-1’s cousin, for a totally analogue Boss release.
The input, output stereo, and output mono connections allow you to share the pedal output among numerous amps. The CH-1’s tone is classic Boss quality: clean and resonant, making it ideal for use with bocth keyboard and guitar.
It has a lovely pastel blue colour scheme and a good design. The classic Boss design makes it virtually unbreakable, and the signature rubber strip on the stompbox ensures you won’t miss it. It comes with a 5-year warranty, as with other Boss pedals, and the price is unbeatable. One of this exceptional company’s strongest advantages is value for money, and the CH-1 is no exception.
Strymon Deco Tape Saturation & Doubletracker
- Luscious tape saturation, one foot tap away!
- Controls for Wobble and Lag Time offering an array of modulation and reverb...
- 2 Independently switchable effects with blend control
The Deco is an exception on this list because it isn’t truly a chorus. It’s actually a tape machine emulation, but that doesn’t stop it from producing rich and distinctive chorus sounds.
Around the 25ms mark, the line between an LFO-modulated delay line delivering a flanging sound and a chorus blurs. In practise, this implies that the lag and wobble parameters can be utilised to create chorusing with the mix at noon.
You can successfully push the delay line into chorus territory and then utilise the wobbling control like an LFO by keeping the mix about noon and then dialling in the lag and wobble settings. These sounds are nothing like the 80s chorus tones you might be thinking of, which could be a good thing or a terrible thing depending on your perspective. It has a slapback delay line that goes all the way up to 500ms, as well as some amazing tape flanging sounds below 25ms.
Obviously, some of the great chorus tones, such as the Police’s Walking on the Moon, were actually flanger tones. The Deco can produce great tape flange sounds thanks to its 500ms delay duration. If standard chorus sounds haven’t worked for you, tape flanging, with its warmer, more subtle tone, is probably worth a shot.
Way Huge Smalls Blue Hippo Analog Chorus Guitar Effects Pedal (WM61)
- Same lusciously liquefied sounds in a more pedalboard-friendly package
- Take it from lush tone-widening to full-on rotating speaker madness
- Vibe switch adds thick Vibrato texture
How Huge Smalls Work Blue Hippo Analog Chorus is a miniature version of the original, with the same functionality and beautiful tones packed into a small pedal footprint. Though it’s not as compact as a traditional mini-pedal, it’s still small enough to fit in the palm of your hand and is less boxy than its predecessor, making it ideal for pedalboard use.
The Smalls Blue Hippo is designed with controls for Speed and Depth, as well as a Vibe/Chorus switch to move between the two settings. The circuit produces a thicker, gooier chorus with less shimmer, clearly distinguishing itself from other, cleaner-sounding chorus units that favor spatial purity. With its compressed chorus tones, it reminds me of early Andy Summers and Permanent Waves-era Alex Lifeson (think Freewill). If you like swirl, switching to Vibe creates some seriously vibrating textures that can get downright shaky and liquid. In general, this Smalls has a huge, thick chorus and swirling vibrato that sound quite antique.
Frequently Asked Questions
What is a Chorus Pedal?
Chorus pedals are a type of guitar effects pedal that are utilised by thousands of musicians all over the world. Many of your favourite bands and guitarists employ the technique. It evolved over time through numerous methods until Boss launched the first true standalone pedal in 1976.
During the 1980s, it was especially popular, and it was used to the point of exhaustion. It was prominently utilised in nearly every pop song on the charts at the time. It was also highly popular in the early 1990s, but many of the great examples of it being employed are really in the rock and metal genres rather than pop. The chorus-laced riffs of Nirvana’s “Come As You Are” and Metallica’s “Enter Sandman” are everlasting.
How do Chorus Pedals Work?
Chorus Pedals act as a clone of an input signal, repeating it at incredibly fast intervals to create a shimmering, layered effect. Depending on the box you’re using and the controls it has, you can modify signal repetition with a variety of knobs.
For example, Rate allows you to adjust the spacing between intervals, whether it’s too narrow or too large. The Depth knob also allows you to boost the intensity of the effect by making it sound like there are more or less layers depending on which way you turn the knob.
What is a Chorus Pedal used for?
A chorus pedal is used to give your tone a distinct dimension. It all depends on the instrument you’re playing and how you want to boost your output, as well as the pedal itself.
They can be used to boost the high end, giving you a shimmering, biting, warm, and flowing sound. It can also be used with short intervals or as a layering tool to deepen your tone and make it seem bigger and better.
Where do you put a Chorus Pedal?
This is a great issue, and it’s a hotly disputed topic among guitarists. First and foremost, do whatever sounds best to you. It’s as simple as that. However, there are a few recommendations to consider.
In general, it’s a good idea to put modulation effects in front of distortion in the signal chain. This ensures that the modulation effects will retain their full strength and will not be masked by the overdrive – for more information on overdrive pedals, check here.